Monday, 10 August 2015

Striations, suffocation and dried flowers

Suffocation the cause of death. The official cause. Ask me, there’d been damage done before that. Subtle, like. Little at a time. Sly, like she ever was.
Not that I’m saying she deserved it. There’s a difference between administering physical  pain to someone too feeble to resist and the sort of mental torture she used to dish out on a regular basis ...
Well, perhaps the difference isn’t that great. Not when you don’t have the ... I was going to say wits, but it was experience he lacked. Experience and a sense of self-preservation. Though you had to say he preserved himself well enough in the end. After all, she housed and fed him, however unwillingly, and he – coming up to thirty-nine now – never had to worry whether there’d be food enough on the table. Never had to strive to better himself beyond the meniality of a mechanic.
But, from the striations on her back, the mottled blackberry-stain bruises on her legs (they fade so slowly in old age) and the marks across her chest, resembling, at a glance, a scattering  of sun-faded, long-dried flowers (I couldn’t allow my mind to think about what had been used to make them) I’d say he used his work experience – and the tools of his job – to extract his revenge.
And got away with it.


[written in response to House of Writers word prompt 104]

Saturday, 27 June 2015

Mini-rant on book reviews

Why, oh why do folk on Goodreads feel obliged to summarise the plot of every book when they review it?  Waste of time when the blurb is already available (and presumably includes all the author wanted to reveal in advance) and too often way too much information for the reader who's wondering whether or not to read it.

Friday, 19 June 2015

Prediction fiction

As it says "it's only words" - and this week's are middle, turmeric and wail.  To use, along with up to ninety-seven others.  Before  Friday 26th.  On http://predictionfiction.blogspot.co.uk/

Sunday, 14 June 2015

Prediction Fiction - 13 participants, 195 comments

An astonishing response to my first week as Prediction host!!  The last time comments went into treble figures was June 2013, although those on Lily Childs Friday Prediction often exceeded 200.
Not only were pieces of startlingly vivid writing submitted but almost everyone, knowing how we writers crave recognition from our peers, took time to comment on others.

Judging was hard, because, above all else it was the imagery evoked that grabbed me, beginning with blue-eyed rats and ending with careening space ships - both from first-timers to the site.

Next week’s words are:  cost, exquisite, slow

Entries by midnight Thursday 18th June, new words and winners will be posted on Friday 19th

Usual rules: 100 words maximum (excluding title) of flash fiction or poetry using all of the three words above in the genres of horror, fantasy, science fiction or noir. Serialized fiction is, as always, welcome. All variants and use of the words and stems are fine.

Wednesday, 10 June 2015

Prediction Fiction

My first Prediction post was in February 2011.  Overawed by the standard of entries, and feeling more than a bit of a fraud, since I didn’t write in the required genres of horror, fantasy, science fiction or noir, my participation was intermittent.  Did a dozen in 2012, and was thereafter hooked.
The need to tell a story in 100 words, incorporating three prompt words forced me to tighten my prose, make sure each word fully merited its place and sharpened my vocabulary.
I also found I am a serial serialiser - from this grew The Blacksmith’s Wife, and several other serials, the tale necessarily twisting back and forth each week so as to include the prompts.
The other thing is that the majority of participants READ what others write, comment on it.
And as Host I get to choose the best each week.
This weeks words are ‘army’, ‘break’ and ‘blue’ and I’d be delighted if some of you could make it part of your weekly writing routine.
Entries, this week, by no later than Saturday.  Next week I’ll be a bit more organised.

Sunday, 24 May 2015

Book covers

I DO like designing book covers.  Much of the action in my most recent Luke Darbyshere murder mystery (a more accurate description than crime, I think) takes place around a gallery, wherein the owner has been murdered.  I planned to use an image of a printing plate, since that was the murder weapon, but the first attempt incorporated a ruined abbey sent against a Yorkshire Dales background.
Next day I decided that was too P D James ('Devices and Desires').

Retaining Yorkshire Dales, inverting plate, adding red bloodstains - YES!!  Looked great, I uploaded and received it and was well-pleased.
Except ... except it spoke, to me, at least, of Mediaeval jousting, and ladies, velvet-gowned and offering favours.


Another try; a browse through my 'resources' file.  One shouted out - an accidental stain, not even a print,  But suggestive of any number of things.  Uploaded, re-shaped, changed text and colour, and there it was!

Friday, 15 May 2015

Post mortem

Me unlocking his front door a first: he’d always known when I drew near, claiming sixth sense: proof of how much he loved me. 
It didn’t work in reverse, though I taught myself to recognise his particular aroma.  Linseed oil, Balkan Sobranie and the whifflings of whatever else he’d been handling that day; the ragged cuffs of the dirty-blue cotton jumper he always wore thoroughly impregnated.  Me making token complaint as he enfolded me tightly to his chest.

In the otherwise silent house, a humming.
Another open door.
The fridge, its interior solid blocked with ice.
Just like my heart.

Saturday, 25 April 2015

milestone and missed it

No, I didn't miss the milestone - that was my first ever ISBN number for an omnibus edition of the first fiction I wrote - re-packaged  as Donovan & Burdock, and proofed.

But having somehow lost Photoshop Elements, around the time my account was hacked last year, I eventually decided to dust down my old PC and learn all over again how to use the full Photoshop programme.
And what absorbing, time-consuming, pleasure!

So two to-be-proof-read copies of DI Luke Darbyshere also uploaded, and cover done (but the content not yet  good enough) for the final Bridie and Sean.
Now I'd better get on with some writing.  

Wednesday, 18 February 2015

Pre-prandial

As oil and vinegar only combine after vigorous shaking, such as is required for successful vinaigrette, we invariably took time to come to homogeneity each time we met.   Too much time; our differences on each successive meeting seeming greater.  Thus on that particular evening we’d sat across the table from each other, unspeaking.  Drinking the speedily-delivered Merlot but, having ordered, choices made,  now saying nothing.  True, not only because of our own mutual difficulties, but also because the conversation of the couple on the table beside us – we were separated by a heavy curtain which maybe they mistakenly believed was soundproof – concerned an unholy and compelling liaison; a twinning of politics and piety.  Only when the name – names – of those concerned was mentioned did you speak, and only then with your fingers, in a gesture that indicated your clear desire to see the speaker garrotted at the first possible opportunity, underlining your intention to do the job yourself with the production from your pocket of a skein of piano wire.   

[garrotted, vinaigrette, unholy - Prompt 81 for House of Writers]

Friday, 13 February 2015

Sitting in the window, wearing a crimson skirt.

‘Whisky works well enough.’
She turned her head, eyes heavy as the thick-bottomed tumbler she clutched with both hands in her lap and nigh matching the peat brown quarter inch still remaining.
‘As what?’  Regretting the sourness but, since it hadn’t leached fully away, unable to hide it.  Their exchange of words less than an hour ago had been truly vitriolic and he could never rid himself of the belief that you couldn’t give voice to such unless you’d already thought them.  Believed them.  And each accusation, each insult, each saying of the unsayable had solidified and fallen to earth, scattering themselves across the flagstones, a rash of corpulent black maggots which, like marbles, would trip up every attempt at reconciliation.
‘As a painkiller.’
He sighed, resigned.  ‘So does strangulation.  Eventually.’


[corpulent, vitriol, painkiller] 

Wednesday, 14 January 2015

Unheeding

At first, little more than a whispering, loosening the last of the autumn-clenched leaves, stirring the palest of the ashes.
‘It’s coming’
‘Hours yet.’
Silent, she held her knowledge within.
Two hours passed.  A drift had formed, grey against centuries of soot.  Roof slates stirred, tapping a finger-bone tune.  She whispered another warning.  His eyes stayed shut, his breathing steady.
Time passed.
Air shifted, maybe five degrees, setting up a whistle ‘twixt wood and wall.
From nowhere, howling harshness, flinging an upward torrent of the largest of them.  Feathered and malevolent.
His eyes opened.  ‘Crows?’
‘Aye. A murdering of them.’

[This week's words for Prediction Fiction:  torrent, ashes, whistle]

Friday, 9 January 2015

Pages of Tales for The Prediction

This week I posted episode 112 of John Pettinger's 'A change of focus' and episode 49 of 'Threshold' on the http://predictionfiction.blogspot.co.uk/   Each can be read in their entirety in the tagged the pages above.

'The blacksmith's wife' - published with illustrations - was the first serial I attempted and 'From Rhodes' a 58 episode sequel, dealing with the blacksmith's brother.

Can't say enough how much this weekly exercise has help in the honing of my craft as a writer - particularly now that I'm trying to reduce 'Step so grave' from ~135K words to nearer 90K.

Saturday, 3 January 2015

My Christmas was lovely but ...

Overheard in charity shop:
Assistant:   "Did you get everything you wished for?"
Customer:  "No. I wished they would all go home."

Wednesday, 19 November 2014

Commission and Omission - update

I reported having reached 17K on September 2nd, Had topped 40K by the 24th October, and today I've just passed 60K.

Not, obviously, a word count comparable to NaNoWriMo, but many of these words are much nearer a final draft, the clues are better worked out, the red herrings far more subtle, and in the process I've developed a final arc for the whole of the trilogy.

90K is my target - one which seemed impossible when halfway there - but a fattening of the characters, a realisation that description of place is not, if well done and applicable, a waste of the reader's time and awareness that I still have ten scenes still to write, makes it a far less daunting task.
No cover as yet - I am without Photoshop, my current version having just disappeared one day, but one possible starting place might be a print done for my first ever piece of fiction, 'The One That Got Away'.

Wednesday, 8 October 2014

Seedy contemplation

Gave pebble-dash a whole new meaning.  (In Scotland they add a concrete skim and call it harling.  Likely hurts no less but the blood-spots not so well-defined.)
Gave my back what looked like a nasty case of measles (except where the cord wound round me, tying arms to torso, added stripes.)
My old man.
Don’t need to tell me the drugs don’t work; old before his time with his never-ending quest to tame the butterfly he’d caught.
My mum.
Who’d said one day he weren’t my Dad, adding to his life, his love for her, a black and bittersweet symphony.

[Another offering for Prediction Fiction, this time a stand-alone, with thanks, of course, to The Verve]

Thursday, 2 October 2014

A change of focus, episode 103

Three words, more or less weekly, from which to concoct a drabble of one hundred.  That's how Prediction Fiction works, and this week's words are ... well, go and see for yourself.

John Pettinger first appeared in a short story written for a Writer's Retreat in Kansas in 2012. Episode one of 'A change of focus' appeared at the end of 2012, intended as a stand-alone.
But I become attached to my characters.  John himself;  his impossible boss Vanessa and her unsuitable associates.  His Khakbethian relatives, including the evil Raptor.  And lately, since episode eighty-four, the daughters of the murdered Edward Cherrystone:  Faith, Hope and Charity.  All can be read about via the Page tab beneath the heading.

Despite his cordless phone, Pettinger was rooted to the spot as they told him; detached police reaction impossible when the crime was personal.  More personal than he’d imagined it could be.  Sick fear lodged, pebble-like, in the hollow of his throat, as he tried to make sense of what was being said – stuff about a shredded bible and a wingless bird.
‘Laid at her head.  There were other objects – bones and ribbons, baby shoes.  We got your name from what was written on her back –‘
‘Written –?’
‘With a scalpel –‘
Brickwood’s being right was bittersweet.
Charity’s revenge long-held.

Tuesday, 30 September 2014

Superb first novel - Nicola White's 'In the Rosary Garden'.

I've just finished reading, almost in one sitting, having only reached page forty last night, Nicola White's 'In the Rosary Garden'. and have reviewed it both on Goodreads and Amazon as follows:

Good heavens, this was wonderful! Bought because it was short-listed for the Deanston Scottish Crime Book of the Year, recommended by Declan Hughes and Denise Mina (and already the winner of the Dundee International Book Prize) this has an originality and a freshness which sets it part from usual crime novels. It is beautifully written, tightly and convincingly plotted with exceptional scene-setting and fascinating characters, especially in Ali and detective Vincent Swan, who I hope is due to appear elsewhere. And soon.

Monday, 22 September 2014

Bloody Scotland 2014

What a brilliant event!

And how wonderful to hear every single writer say first and foremost you have to write what you want to write, and be true to your own voice.

And secondly, that so many of them make so much of it up - including police procedurals - saying that there is a danger of too much research being fed in (because you've done it so why not?) and slowing the pace.  Most impressively astounding of all was Malcolm Mackay who admitted he didn't grow up against a background of  Glaswegian underworld - you'd never think it from the world he's so skilfully created.

Other highlights, for me, included hearing Christopher Brookmyre talk, during Friday's Crime Writing Masterclass about the importance of magic -  reveal and misdirection - and later reading 'Puck Knows' his story of teenagers at a performance of 'Midsummer Night's Dream' - and hearing William McIlvanney talk about the process of writing his Laidlaw trilogy - plus the news that there may be two more to come.

Friendly, well-organised, and loads of books to buy - I certainly intend to be back next year!

Thursday, 18 September 2014

O Momentous day

Not only am I heading for Stirling in readiness for tomorrow's  Bloody Scotland Crime Writing Masterclass, but today's the day when Scotland votes whether or not to become independent from the UK.
I sincerely hope not.

And whatever the vote, the weekend will be dominated by that as much as the writing of crime.
But will undoubtedly be a good one.

Sunday, 14 September 2014

Unanimous

Three one-to-one sessions with agents who had read synopsis and  the beginning of  'Step so Grave' but not very far beyond I suspect.  The message - too much waffle at the beginning and the necessity of beginning a crime novel with a body - made more than a little more palatable for my having realised it myself just a couple of days before I arrived in York
One of the results of improving and learning the more you write.
The lessons further hammered home but, what was more important, potential tools to identify and find a solutions also suggested, by Jeremy Sheldon's workshop on 'Four plot problems you never knew you had';  Emma Darwin's Three and Five act structure; and C.M Taylor's 'Using Fatal Flaw to deepen theme and unite plot and character.'
 Another of Emma's workshops,  simple but highly effective, was her  'Plain and perfect, rich and rare.' demonstrating the benefits of working on sentences to make the best of them.

Friday, 12 September 2014

Festival of Writing



I'm off to the Writer's Workshop Festival of Writing at York today.

Seven workshops, six folk from the Self-Edit course we shared, my five-times written novel to promote, four hundred fellow writers, three agents, two night of non-stop conversation (even for me!) and one weekend I'm looking forward to all the more for it being my second time.

Tuesday, 2 September 2014

Progress

17K words into third of trilogy - working title evolved from 'Luke's story' to 'Commission and Omission' - and far better-organised thanks to SE course.
Bloody Scotland had a hand in it too - the short story written for that will be expanded and incorporated, plus I am getting huge amounts of inspiration from reading and re-reading Chris Brookmyre's Jasmine Sharp trilogy! 
Obviously I'm very much looking forward to the workshop I'm doing with him in Stirling on the nineteenth of this month.

Saturday, 16 August 2014

Nursery tales

As a child I frequently but uselessly wished for my favourite characters from different books to meet up and have conversations and new adventures together.  K M Peyton did this to a small extent with her Pennington series, incorporating the girl from Fallen Angels but by not appearing until 1970 they were too late for me, by some decades.
All my own fiction has been character-inspired and led.  Some have arrived as a pair, such as Jenna and Ed; others, such as Jenna’s daughter, grew up and met an ever-expanding cast of characters, during fifteen years and four novels which began, fortuitously (for the sex) in 1963.

Others – the majority of them –  came from responses to prompts on the several sites I’ve used to practise and hone my writing (many since disappeared, but the lessons have been gratefully retained.)
Journalists Baz Rose and Rose Madigan come into this category, as does Luke Darbyshere.  Susannah Elphinstone arrived in my head as the peg to hang a second novel of their story on.
John Pettinger was created for a short story written in advance of a writing retreat;  his career continues, week by week and drabble by drabble, under the title ‘A change of focus’ led by prompts from Prediction Fiction, rapidly approaching episode 100.
Another short story, an entry for this year’s Bloody Scotland had Pettinger meeting with Annabel Buckingham.  Not only a friend of a friend of Luke and Baz, she was part of an alliterative, unpublished serial which went by the name of ‘Shenanigans’, written back in 2010 and loosely based on a town near me.   
All have stood up to be counted into the third in the Baz, Luke and Madigan trilogy, along with Ivo who arrived last month in Tennessee and the principal of the school who interviewed and employed him.

The delight of getting to know them, seeing how they interact and what they hide  and the lies they tell to cover up their true feelings gives me such joy, that I no longer yearn for the days when I had to rely on other writers.

Tuesday, 5 August 2014

Growing a character



Ivo was born at a writing retreat – the fifth such – in a cabin in Tennessee's Great Smoky Mountains. (Thanks to MH for the photo)

Seeded by a photo prompt; rooted more sturdily via a challenge to channel Hemingway, he pushed forth his first healthy shoots via an eleven-sentence exercise loosely based on Bob Thurber’s
http://home.comcast.net/~bob-thurber/anatomy.html.

Next came an effortless and unexpected bloom:

'Ivo makes love like an alley cat. Skinny and slippy and quick. Ends with a grunt; an unsmiling appraisal of the woman beneath him who’s already forgiven him since she came at the moment he entered her; having feared that he’d leave her without.’


And rumour had it he teaches art ...

I've a place for Ivo. A barely-begun novel, the last of a trilogy, where I hope he'll bear much fruit, and
I’m waking earlier and earlier these days, needing to set down conversations.


Tuesday, 29 July 2014

Yabloodyhoo

My Yahoo account was hacked while I was in transit to America (and not the Ukraine) and my contact list wiped.  It has been rendered unavailable, so I shall be using my gmail account.   If you don't have that, message me on  FB.

Saturday, 19 July 2014

Birmingham, Alabama

Arriving in the dark is black and orange.  Staccato red and punctured white.  Impossible to know what daylight looks like and not able even to imagine after nineteen hours of travel.

Soon a clichéd, howling mournful train, which I know cannot be as lonesome as the ones heard in Kansas a couple of years ago.  Then I slept, hearing, but not woken by, a dozen repetitions.

Morning grey and green.  Constant traffic noise explained by the elevated Interstate above an intersection, beside another crossroads whose surface is, like the tarmac car park down below, wet glistening.

Attached to this, with ugly childish tackings of telegraph pole and streetlight, are broccoli trees, the furthest mystified as to where the hills, only apparent later, have disappeared to.

And, just this minute, the sun appears; the Interstate turns silver, maybe all the way to Atlanta.

Saturday start to week of writing with friends

You know you're in America as soon as you hear those trains!!

And three hours til I meet with the first two of eight of those good friends, having caught up with (some) of my sleep for a drive (in the rain) from Birmingham Alabama to Gatlinburg Tennessee.

Monday, 14 July 2014

Phew!

Finally submitted my entry for the Bloody Scotland Short Story competition.
Having written, quite quickly, one version from the murderer's point of view I then wrote a second from the detective's.  In third person.   Then spent three weeks putting it into first person.
Then realised that the first version had the stronger voice.
And although I could go on editing forever, it really had reached a good point.
So, phew and fingers crossed until the middle of August.

Monday, 30 June 2014

Thoughts on being ambushed

Dauntlessness was not enough.
I’d seen him despatch six in fewer minutes, but they a mismatch of pure-bred English fops; ambition way beyond ability.
These now – one atop a stallion in the centre of the road before us, twin-matched double deputies either side, Saxon-haired and broad as Blackwater barges – a different breed.  Brains matched brawn (though maybe blunter than the black-haired man I’d decided was my future).
But with unknown numbers fast coming up behind; an unwieldy loose-wheeled cart and a now-howling babe, ‘twas likely his future would be very short. 
Mine only long enough to pay the required penalty.


This is the latest post for Prediction Fiction - prompt words penalty, mismatch and dauntless - and the latest episode of 'Threshold' (see page above) which began last December with what was intended to be a one-off.  Pettinger has reached his ninety-first episode.  It's a brilliant place to hone one's words.

Thursday, 12 June 2014

Bloody Scotland - booked

Booked my tickets for this third Crime Writing Festival in Stirling, 19th to 21st September.  I was in Orkney for the first and at the York Festival of Writing  for the second but that is being held a week earlier this year.

I've opted for a Crime Writing Masterclass, which includes a session with Christopher Brookmyre, followed by discussions between him and Denise Mina on their latest books (Red Road' stayed in my mind for a long while!) followed by Stuart MacBride and Mark Billingham talking about combining humour with the gritty.

On Saturday afternoon (leaving the morning free) I've opted for new-to-crime-writing Eva Dolan, Hania Allen and Mason Cross, followed by AlexGray and Caro Ramsay on police procedurals;  finishing with Luca Veste and Kevin Sampson, both from Liverpool. 

And on Sunday Craig Robertson, Malcolm Mackay & Kati Hiekkapelto discuss the different approaches to crime writing by different countries, followed by RobertRyan, Tony Black, Doug Johnstone & Douglas Skelton, all of whom came via journalism.  The weekend finishes with Ian Rankin who will doubtless have much of interest to say.