The scarlet handset appeared to have spewed a map of South Africa, matching stain spreading and disappearing beneath the sprawled body of the dark-haired woman.
‘What’s that godawful noise?’
DS John Pettinger, concentrating on fixing first impressions in his mind, didn’t hesitate. ‘Bad Company.’
‘Well obviously that’s what she’s been keeping... oh, you mean the music. Looks like some film I saw once, where the telephone sucks the blood from its victims ...’
‘I doubt that’s happened here.’
Pettinger’s exasperation at the DC was muted as he failed to ignore the sick feeling permeating his gut.
‘I know this woman.’
[2] farm, tumour, lucid
Suspicion, and a single question, swelled like a tumour: why?
Why her?
Why now?
She’d been due to return tomorrow, to the farm she’d vividly described, red earth, big skies and far distant horizons.
But someone had prevented that; at least, not permitted her to return alive.
He’d understood she knew nobody here.
And only mentioned one man there: Jake.
Who, she’d said, in the lucid moments between waking, guilt-entwined in the furrow-sheeted dawn and her engulfing him again, would never forgive what she had done.
‘Need he know?’ he’d asked, matching rhythm.
‘He always knows,’ she’d told him, distant-eyed.
[3] myopic, divert, chamber
Allowing her to seduce him had been unprofessional.
Allowing her to do so in the police-station car-park foolhardy in the extreme.
Wincing at both his myopic inability for coherent thought (presumably some sort of sexual hangover) and his DC’s insensitive ‘Know her, boss? Brilliant! Easy ID then’, John Pettinger attempted to divert his mind to such questions as why was Sally-Ann Hopgood not where he had left her?
Who had stabbed her?
Was it connected to her parents’ murder?
And could he hope that the chambermaid who’d balefully eyed his departure – after two days’ occupancy – had failed to recognise him?
[4] interfere, shade, pitch
Hands in pockets, so as not to interfere with evidence, was second nature; balled into knuckle-dustered fists rare but Pettinger had just learned, from a manageress barely able to believe it herself, that the pitch-dark hotel room he’d left seven hours earlier had been ‘mega-steam-cleaned’.
Good insofar as his two-day occupation with her might evade detection, but less so if she’d been forcibly brought to this shaded room before being killed.
Not to deny her, but were his involvement known he’d be taken off the case: it was essential he handle this one himself, especially now the chambermaid was implicated
[5] gall, invisible, touch
The SOCOs. Professional, efficient, dealing with death every day. Not everyday death.
Seeking invisible traces, places he touched without knowing, tale of the carnage he wrought.
Here little to go on, stabbed with a knife yet unfound, so fast that she could not retaliate, no scrapings or rakings of skin beneath nails. Only pattern of splatter to tell how she spun how she fell how she bled.
Now the swabs...
Oh god the swabs will show semen and as far as he knows he’s the last to have been there: gall rises as swift as memory says he did then.
[6] madam, chirp, jab
‘Madam?’ (She merited ‘Ma’am’; this displeased in a way she could not object to.)
‘Hopgood was suspected of her parent’s murder?’
‘No. She was in Australia.’
‘Proxy?’
‘Sounds far-fetched.’
‘But Cherriman had no alibi, his whereabouts were then unknown.’
Who the fuck? ‘Ma’am?’
‘Jake Cherriman. Her husband.’
Double fuck. She never said. Except ‘Jake always knows everything.’
Phone chirped.
Listening, she biro-jabbed until it shattered, teeth-gritted an acknowledgement.
Glared up at him, ‘The lab has matched the DNA.’
‘Cherriman’s?’
‘No John, yours.’Payback smile, ‘Cherriman is now downstairs. He came in of his own accord. And asked specifically for you.’
[7] madam, chirp, jab
Firstly, Jake Cherriman, just flown in from halfway round the world was a man bereaved. Likely only knew his name from his now-murdered wife. Couldn’t possibly know, prior to her death, she’d persuaded Pettinger into her hotel bed wherein she’d demonstrated skills such as any madam would be glad to teach. (Think gift-horse, mouth.)
Now, adjudging his office over-warm, Pettinger pointed Cherriman to a chair before turning to raise the sash, startling a blackbird into chirped alarm. Turned back to find stubbled face inches from his, red-circled eyes alarming, gun jabbed against his ribs. Hoarsly, ‘You’re dead, you fuckin’ bastard.’
[8] seam, etiquette, weary
The conflicting etiquettes required to deal with death or those deceived, the bereaved and those cuckolded, not to mention those who are about to shoot one, caused Pettinger to feel exceeding weary, plus the barrel of the gun had trapped the button on the label sewn into the side seam of his shirt against his ribs, causing him to wonder whether a button could stop a bullet at point blank?
Concentrate!
‘Er... Mr Cherriman, I’d advise you not to shoot me here, the blokes downstairs’ll have you inside two minutes.’
Laughter.
Laughter?
‘I’m not stupid. And my name isn’t Cherriman.’
[9] seam, etiquette, weary
Not Cherriman?
No need, therefore, for kid-glove etiquette.
Raising falsely-panicked eyes to the lens above the door Pettinger felt a reciprocal shift in concentration, allowing him to grasp the hand which held the gun, apply pressure to strained tendon-seams and hence loosen fingers. Forearm fending, left hand u-bending windpipe, he kicked the now-floored gun away.
‘Then who?’
Gurgled non-verbal.
Pettinger transferred his grip.
Hoarse, ‘I am Gunita’s brother.’
‘Gunita?’
Weary scorn, ‘She works in the hotel.’
The bloody chambermaid.
‘You did not even ask her name?’
‘Never needed to.’ Not quite true.
‘No need to name the girl you rape?’
[10] crown, orphan, sterile
So, Orphan Annie – now aka Gunita – adds accusation of rape to that of murder?
Gun sterile-wrapped for evidence, Goren’s mobile confiscated, Pettinger and her not-yet-apprehended brother arrived at the chambermaid’s too-upmarket house.
Went silently upstairs to the bedroom, where her brother shouted foreign-worded warning, unaware that Pettinger understood, just as well as Goren comprehended English.
Too late for her to climb off the man she straddled.
Too late for him to hide his face.
Too late for her to cover the tiny tattooed crown on her left buttock.
None there aware Pettinger knew of its significance: he had one too.
[11] incite, thread, septic
Pettinger translated Gunita’s python-hissed invective directed at her brother, storming loose-wrapped in a fine-quilted emerald silk coverlet, only losing her thread at the attempted escape of the hastily-covered member of Her Majesty’s Judiciary to demand – in English – a sum of money sufficient to incite a riot amongst the thirty-quid-a-fuck dockside elite were they to hear of it. Blenching, he paid and left.
To Goren, indicating Pettinger: ‘Hopgood failed, Cherriman’s disappeared, now it falls to me to break him.’
Goren snort-laughed, ‘In the same manner? Can I watch?’
Pondering on degrees of consanguinity, Pettinger, blank-faced, vowed to avoid that septic fate
[12] incite, thread, septic
Twin faces turned, depicting twinned intent: Goren’s vicarious, Gunita purring spurious seduction, quilt playing hide and seek with spunk-sheened breasts and belly.
‘You’re accusing me of rape?’
Pettinger’s repugnance at their septic, incest-threaded confluence, their casual admission of Sally-Ann’s murder, incited near betrayal of his thus far unadmitted ancestry.
‘A mistake, for which I’ll make amend.’ Her lips teased his, fingers fluttered: ear, throat, wrist; hand butterflied across his groin.
Pettinger returned impassive, nostril-flared distaste. Maintaining eye-contact, Gunita clicked her fingers. ‘Goren, perchance your soft-shelled policeman will respond more rapidly when he reviews our film of his activities with Hopgood.’
[13] vine, oddity, hoard
Black bile burst at the pit of his stomach, spread like a pantomime vine to throat, seared along limbs, to extremities. He had, even as he acquiesced, seen the oddity of a man like him, not known for inciting instant lust, being accosted by a woman like her, but caution had been need-diluted and she skilful –warm – enough to release deep-hoarded desire.
That it might have been bogus, witnessed, traitorous, sickened him, while strengthening his resolve to seek the truth behind her murder.
Just in case it had not been her, but them.
Now to school his face to inscrutable.
[14] vent, clock, save
Save for the ticking of the clock the room was silent.
Pettinger, stony features ramparting repugnance which rang discordant bells behind his eyes: ‘The mistake is yours, to think I would believe you.’
Venting spleen, Gunita deadly-drilled a dozen words at Goren which, sans obscenities, translated as ‘I told you it would fail,’ but Goren’s tolerance of his sister’s histrionics had expired; casual, open-handedly he felled and then stepped over her.
To Pettinger: ‘You go now.’
Implacable: ‘The tapes.’
‘Pfft, camera broken, all blank.’
‘I have your gun, fingerprints CCTV...’
‘Eye for an eye, eh?’
‘Aye, and I’ll be back.’
[15] history oak eccentric
The hand that clutched the biro was white-knuckled, scoring repeated circles, eccentric and deep-driven, on the sheet of A4 paper, damaging the oak beneath.
‘Pettinger, your recent history is one of utter fuck-up. Hopgood’s death, and her parents’, are still unsolved, Jake Cherriman has disappeared again, and now you say you’ve let go a man who would’ve shot you!’
‘Also, ma’am, I’ve been accused of rape, and,’ nodding towards the now-ringing phone, ‘that’ll likely be another, of harassment.’
He’d not mention the tapes Goren had believed were blank, even though they didn’t show what he had feared they might.
[15] history oak eccentric
Pettinger’s boss, today’s eccentricity a thigh-length skirt patterned with oak and ash leaves: auditioning for Maid Marian instead of sheriff; he Little John, uncertain deputy, from the expression in her eyes as she put down the phone.
‘Harassment, yes, high-level – how come you’ve sparked a diplomatic incident? Become embroiled in the politics of some country no-one’s ever heard of? Insulted members of it’s – allegedly – ‘royal’ family, thereby allowing them to insist on your immediate arrest?’
Shit – they’d realised he had Goren’s tapes and thereby history and explanation for what had happened .
Pettinger veiled his eyes. ‘Ma’am, I can explain.’
[16] jigsaw, capture, pimento
Pimento-flush of temper paled, anticipating Pettinger’s explanation.
‘Ma’am, there’s some as-yet-undiscovered link between Hopgood’s parent’s murder and Khakbethia...’
‘I didn’t name the country, so how...?’
‘The gunman’s from there, his sister mentioned Cherriman, whereupon two separate puzzles became double-sided jigsaw.’
‘Sister?’
‘The alleged princess. Also operates as high-class whore.’
‘Then bring her in!’
‘She’s better use as bait, one of her clients the un-esteemed Judge Jenkinson.’
Mutual acknowledgement of a long-desired piranha.
‘You’d better go and pacify the ambassador.’
But ideas of appeasement appeared over-optimistic when His Excellency greeted Pettinger as ‘Yanno’ and Pettinger recognised his traitorous, black-hearted eldest brother.
[16] jigsaw, capture, pimento
Red green yellow patterned carpet, reminiscent of the triple-packaged peppers piled high on a market stall, behind which leering eyes had sought to capture the interest of the prettiest women. Same eyes as now smiled lies, hiding behind jigsawed pomp and circumstance.
Pettinger, his authority less cardboard cut-out than his brother’s, said ‘You try harassment with me, brother, and I’ll have your balls!’
‘Gunita says you turned her down ...’
‘I like not goods well-used by scum.’
‘Hopgood not in that category?’
Diplomacy discarded, Pettinger leapt upon his brother and kicked him hard, until His Excellency’s balls resembled squashed pimentos.
[19 ] disgrace, lance, trouble
A boil of pustulent hatred, seventeen years in the festering, was lanced by Pettinger’s attack.
Without an ounce of sympathy as, bent double, his brother rolled to grab a chair and trundled it, still on his knees, towards a velvet-covered couch, there to lie groaning, he snarled, ‘You and your self-aggrandising plotting! Your ridiculous attempts to infiltrate this country when you’re nothing but a market-trader, partnered with a petty thief and a well-worn whore...’
‘We have the judge, and ‘tis ill-luck Goren didn’t know you were my brother...’
‘Stupidity!’
‘...but we’ve evidence of your disgrace, and intend to use it.’
[20] cantankerous, oratory, wobbly/wobble
Features screwed under recurring flares of orchid-pain, Pettinger’s brother struggled upright, wobbled once before demonstrating inheritance of backbone as well as temperament from a cruelly-cantankerous father, a single howl of anguish echoing to the rafters of the once-upon-a-time oratory, now den of dubious diplomacy: ‘Hopgood’s parents spied for Dubnovaski...’
‘I thought the Dubnovaskis were all dead.’
‘So did I ‘til others started dying; it wasn’t us who killed them.’
‘Then who?’
‘We hoped Hopgood would tell us... when she targeted you it caused some... internal difficulties, since our rivalry is known.’
‘Targeted?’
‘Don’t be stupid, Yanno, it certainly wasn’t love!’
[21] cantankerous, oratory, wobbly/wobble
Stung, at imputation of ignorance, to cantankerousness of his own Pettinger threw a punch at his brother’s head.
He ducked; caterpillar smile of triumph wobbled on then throttled fast away as his neck was grasped and squeezed almost to final gasp.
‘Forget the fancy oratory – why did Sally-Ann have to die?’
‘It was meant to be you.’
‘And you couldn’t tell us apart?’
‘No – she was supposed to murder you. Cherriman knew she’d fail...’
‘So it was love?’ Pettinger’s face refuted gullibility.
‘Stupidity, since it ended in her death...’
Locked-eye stare was interrupted by the crashing open of the door.
[22] articulate, whorl, pelt - Prediction Challenge winner
‘Excellency!’
Strangled articulation announced the entry of the pensioner hired to disguise the whorls of dirty espionage which hung about the Khakbethian embassy.
Skull-knuckled hands clutching the double doors, he hung for a moment then slowly sagged until his badger-pelted head lay on the carpet, arms perforce rotated back- and upwards, nine inches of knife-handle protruding from his spine.
The ambassador and his officially-unacknowledged brother turned as one to watch him, their mutual observation interrupted by the appearance of the man presumed responsible, the sight of whom brought relief to one brother, terror to the other, in roughly equal quantities.
[23]carrion, sleeve, reticent
Raptor. Hooded black and yellow predatorial eyes; time-streaked, shaggy feather-fingered mane reaching beyond shoulders.
Appearance neither nephew had inherited.
Pettinger began a courteous welcome in the language of his birth, was rudely interrupted by his brother spit-growling ‘Carrion’.
Doubly startled he watched his uncle kneel to retrieve his knife, wiping the blade on the cleaner of the body’s sleeves.
‘Why kill him? He wasn’t important. Did no harm.’
Reticent. ‘Then it does not matter that he’s dead.’
‘You cannot behave like that, not here!’
‘You proposing to stop me, little Yanno?’
‘Of course.’
‘Then you’ll have to become unimportant too.’
[24]
A good detective learns the art of reticence, of turning the other cheek, of lying to deceive the carrion he daily deals with. Keeps secrets up his sleeve as well as tricks.
Thus Pettinger deflected questions from his superior.
‘You pacified the ambassador?’
Near-throttled, he could not complain. ‘Ma’am.’
‘The staff there are peaceable?’
Dead men say nothing. ‘Ma’am.’
‘Their people competent?’
Market-trader, petty thief and whore... ‘Yes, Ma’am.’
‘Civilised?’
‘Ma’am.’
Superiors have bigger sleeves. Quieter voices. Fiercer eyes.
'Then perhaps you can explain why a senior diplomat of theirs has shot five people within the past forty-five minutes?’
Raptor.
[25] altruist wary herbs
Smear of menthol modern-day equivalent of herbal nosegay, Pettinger questioned his uncle in the most malodorous interview room he could find.
‘Rights of entry are granted for reasons of diplomacy; not altruism. Yours has been revoked.’
’I killed no-one.’
‘Why Gunita?’
‘She’s a Dubnovaski.’
‘But... her tattoo?’
‘Fake. I fucked her to find out.’
Small smile. ‘How much did she charge?’
Reciprocated. ‘That’s when I produced the gun. She became wary, fled before I could kill her.’
‘Was it you killed Sally-Ann?’
‘She had no tattoo.’
Raptor smile, ‘and no, Yanno, I sent her to you. Now let me go.’
[26] decant, notch, straddle
Decanting truth from a flagon – a vat – of lies, lies long-distilled from fear-straddled infancy, had become second nature for John Pettinger.
Childhood fear had been triple-dealt. Siblings, father, his mother’s brother Raptor: least physical but most frightening, because of tearing notches in his mind.
Was that why today’s interrogation had brought recognition? Understanding? Sense of like-mindedness?
Why he’d let him go, arresting his brother in Raptor’s place, to placate his boss and provide a perpetrator for the crimes committed by his uncle?
Did that stem from his oh-so-superior understanding of the truth?
Or had Raptor cynically brainwashed him once again?
[27] decant, notch, straddle
‘I could lose my job for this...’ Pettinger, behind the wheel.
‘Could come and work for me. Could do so anyway, straddle both worlds...’
‘Good and evil?’
‘Here, and there.’
‘Tell me about Sally-Ann.’
‘She’s the first I decanted your way...’
‘Why?’
‘Why first? Your brothers had become ungrateful...’
‘You regularly supply them?’
‘Having tried and tested, yes. Hopgood had brains, though...’
‘They don’t?’
Grunted affirmation. ‘Had ambition too...’
‘So it wasn’t you who killed her?’
‘I don’t kill women...’
Raised eyebrow ‘There’s notches enough say you lie.’
‘Not since...’
‘Not since my mother?’
‘Yanno, it had to be done.’
[28] demonry, catalogue, abyss
Captive, Raptor might catalogue his crimes, were the journey long enough, but Pettinger knew the time had come to investigate the abyss that was his childhood.
‘Tell me.’
‘You don’t remember?’
‘I was five.’
‘You do remember. By then she was... beyond mere demonry.’
‘She’d tried to drown me.’
‘Succeeded with your sisters.’
‘Sisters?’
‘Three. None survived infancy.’
Brakes screamed, Raptor steered to safety.
‘Tell me.’
Raptor told.
One hour later, two missed ferries, twenty-three missed calls.
‘So having killed your sister you then took me to live with you... but did not take my brothers?’
‘I hadn’t fathered them.’
[29]
Lurching ungainly from the car Yanno narrowly missed death by juggernaut, blasted air-horn fanfare to his vile black-bile eruption into an abyss of abhorrence.
Raptor watched him, eyes stone-hooded, cheekbones savage-stark, lips a double negative, demonry as absent as regret.
No visible intent to offer... offer what?
Waiting, perhaps, for Pettinger to select the most apt from a catalogue of phrases to be offered upon hearing one is the misbegotten child of incest, born of mother fucked by brother, then sent mad and subsequently murdered.
Unable to judge, to quantify, to what extent past guidance – love – could overcome today’s revelation. What reasons would be understood, believed, forgiven.
[30] eldritch, manse, aristocracy + syzgy (optional)
Raptor to Yanno Petzincek, in the shadowed garden of a once open-to-the-needy manse, now hotel, entry for which required the syzgy of aristocracy and money:
‘I was my father’s only son. First-born. Identical. No doubt. Thereafter wives, mistresses, bore only daughters to him, any sons were fathered from elsewhere. As other daughters, of which your mother was an eldritch one.’
‘Not his?’ Determined not to grasp at straws.
‘Cannot prove it, but I think not. Likely she inherited instability, a double dose. Doomed from the start.’
‘Then why take her?’
Raptor sighed, remembering.
‘When sane she was enchanting, irresistible. Circe.’
[31] eldritch, manse, aristocracy + syzgy (optional)
Yellow-lit rectangles from the Old Manse windows fell short of where Pettinger sat, becoming accustomed to freedom from fearing he’d inherited the lava-tempered madness of the man he’d known as father, along with his mother’s eldritch immorality.
From the darkness Raptor spoke.
‘Yanno, as my son you are sole heir to the Petzincek aristocracy. Others know it, hence the so far clumsy attempts to return you, in disgrace, to Khakbethia.’
‘Others?’
‘Your half-brothers. They instigated the Hopgood murders, Gunita’s claim of rape, blackmail, and the murder of a diplomat...’
‘Murder?’
‘His Excellency was killed yesterday.’
‘My... half-brother?’
‘Yes.’
‘Your doing?’
[32] turbulent, grunt, handbook
‘Yanno, no,’ Raptor’s expression pained, ‘how could I have killed him? I was with you, he in custody...’
Pettinger grunted. ‘No... released on diplomatic bail... as per the fucking handbook.’ Then, doggedly reverting, ignoring the turbulence of messages from his superior, questioning his absence, ‘How come my brothers knew, when I did not?’
‘Guessed. I sent you here, paid for your education.’
‘Manufactured reasons for me not to return?'
Sharp gleam of surprise, not sufficiently fast-hid, ‘Kept you safe...’
‘Why not protect me there? Since you need me to eventually return. And why, for fuck’s sake, why the tinpot embassy?’
[33] turbulent, grunt, handbook
Raptor’s smile a recrudescent memory. ‘Part of their grand scheme to wrest power; naïve belief that allying themselves with Britain in these turbulent times...’
‘Christ, don’t tell me they’re stupid enough to trust the EU handbook?’
‘They wanted a hand-out to support their fight against the Dubnovaskis. I merely encouraged.’
‘Is Khakbethia really that poverty-stricken?’
‘It’s known hunger... as I know hunger now.’ Standing, ‘Time to eat, Yanno.’
‘You still have to tell me about Sally-Ann. You knew her, had her, passed her on to me...’
Quietly, ‘Did not kill her.’
‘But caused her to be killed?’
Raptor strode ahead.
[34] piston, charity, trample
‘Piston rings?’
Startled awake, he’d incautiously thumbed ‘Connect’, not expecting his boss to be phoning at half midnight.
‘Piece de resistance, John! She was the honeypot. Cherriman says she...’
‘Charity case? Ma’am, you’re breaking up.’
‘I’d break your bloody neck if you were here! Two unsolved murders, an eviscerated ambassador and a disappeared DI – the press is trampling all over us!’
‘Trampoline?’
Pettinger disconnected. ‘Eviscerated’ had all the hallmarks of Raptor’s henchmen; his alibi was secure but truth for him was well-oiled, Sally-Ann the con-rod – ‘con’ the operative word – and the barrel full of anything but laughs.
[35] piston, charity, trample
Heart pounded like the piston he’d invoked to avoid his superior’s ire, less than was due: she still had some charitable impulses towards him, but if she had an inkling of his current involvement she’d see him swing; likely trampled underfoot in the rush to release the rope.
Raptor (would he be one of them?) entered via the connecting door. ‘Who were you talking to?’
‘What do you know of Cherriman?’
‘My deputy.’
Surprise, surprise: ‘He’s been arrested.’
‘Then you must release him.’
‘Raptor, it doesn’t happen like that here.’
‘You’re scared?’
‘I’m law-abiding’
‘And my son?’
‘You tell me’
[45]
While such occasions hadn’t exactly been numerous – fewer than a dozen – undoubtedly this promised – threatened? – to be one of the more challenging.
Trick was, not to let it show, not until she knew where it was going, but that oh-so-familiar swelling of anticipation showed in her eyes to those who watched for it.
She needed to concentrate.
‘Interview room two, Ma’am ... do you want a witness?’
Christ – not to this!
‘No.’
She opened the door, stepped in. Thought she’d have to invent a reason, an accusation, but no.
He, smiling, understood all too well.
She’d miscalculated, yet again.
‘Raptor.’
[46] distortion trammel, distortion
Untrammelled by conscience or morals, the habitual cruelty of his hooded eyes flecked with amusement, he glanced upwards.
‘Are we on camera?’
Watching his lips, thinking how implausible that they’d been where they’d been last night, she shook her head, trying to dispel the distortion such memories created of her role.
‘You shouldn’t have come ...’
‘Ah... but I did...’
And how! And how many times...
‘...and did Yanno successfully outwit Cherriman?’
‘John’s honour was satisfied. And, as you asked, I’ve taken him off the case. Both are now searching for you.’
‘Not knowing I was here all the time.’
[47] bristling ejective crossroad
Ejective consonants betraying English was a second language, Raptor’s eyes glowed harsh citrine.
‘I dislike that you give orders to my son...’
Skin tightening, hair bristling alarm. Dear God, what had she done?
‘John is... your son?’
‘He did not tell you?’
Raptor knew this woman’s professional harshness hid her love for Yanno. Now she’d fucked his father her feeble English sensitivity would put him further out of bounds: she’d want him gone. The crossroad of ‘where next?’ would return Yanno willingly to Khakbethia, to challenge Cherriman’s ever-increasing threat.
Smugly contemplating, Raptor failed to see her press the panic button.
[48] conscript, payload, creep
‘Deal with the usual malefactors’ she’d said.
Murderers most of them, conscripts to Death’s Army of the Premature. Only the payload changed. Used to be money but now it’s power, which equals influence, sex and money.
And whether you kill to gain it, or kill because someone else had it over you, the result was the same.
His job was to catch the killer.
Bring him to justice.
His job wasn’t to judge.
Which was hard when the finger of suspicion was creeping unerringly towards a man who wielded power.
A man he couldn’t help but judge.
A murderer.
Raptor.
[49] amber travesty undone
His concern a travesty of compassion, amber eyes an ever-ready signal of impending mayhem which could only add to that which had gone before, Raptor, recognising a moment too late that help had been summoned, seized the DCI, pulling her to stand between himself and the two men who flung open the door.
Unsure whether it was her dignity or her life she should be more concerned about, and feeling like a woe-is-me about-to-be-undone bodice-ripper heroine, she stiletto-stamped smartly upon Raptor’s foot, smiled sweetly, ‘Sorry, didn’t meant to press the button, false alarm,’ and dismissed her would-be rescuers.
Raptor smiled.
[50] vibrato, bury, sacred
Sex discriminated against her.
Insistent, body fought mind, thrumming vibrato to his lips upon her neck, fingertips across her belly.
Intent on burying memories of tumbled bedding she recalled her Attestation, semi-sacred vows of fairness, integrity, diligence.
Mind strengthened; body twisted, faced, asserted.
Vulture eyes assessed; decided ‘enemy’, turned it to ‘worm’.
Worm turned.
Arrogant incredulity accurately translated. Became contempt: turned worms deserved disposal.
She disagreed. Diligence was due to self; ‘fairness’ didn’t mean self-sacrifice.
The knife that was to have slid between her ribs she seized and, with integrity, turned.
Slid between his.
Eyes became eggs, disbelieving.
Raptor died.
[51] threshold, grate, invert [winner]
Back to the door, supporting Raptor’s lolling weight, scared near to death herself as she witnessed a dark soul leave his body and fly to the window to pause on the threshold, brandishing a long-clawed black fist, threatening to enter her mind, invert her beliefs, control her future behaviour.
Common-sense prevailed at the the entry of the man she least wished to see.
Despite a voice harsh as grated skull-bones, his words offered hope: ‘What has he done to you?’
Wet-eyed, she looked over her shoulder.
‘Told me he fathered John Pettinger.’
‘Aye. He near convinced me of that, too.’
[52] whelp, impotent, blatant
‘According to Jake Cherriman, I’m the misbegotten whelp of an under-age Khakbethian whore. He claims less dirty DNA for himself. Assures me Raptor was impotent: his claims even of seduction a blatant lie.’
She blushed, ‘Another reason to mistrust Cherriman.’
Pettinger’s eyebrows questioned, ‘Ma’am?’
‘Shut it, John, and tell me how we’ll dispose of his body; remove all evidence that he was ever here.’
‘You don’t know how to do that?’
‘Of course. How well have you learned the lessons that I’ve taught you?’
Unlocking the door, John Pettinger grinned. ‘Well enough. Give me five minutes.’
It took him four.
[55] interbreed, calibre, unclean
Side by untouching side, in silent contemplation of the hotel bedroom’s ceiling.
At a crucial point she’d remembered Raptor’s claim to be his father. Although subsequently said to be untrue, the spectre of interbreeding had risen, unclean and shrieking, causing recoil and destroying the moment.
John Pettinger was of a calibre to not take personal offence, yet understandably he was confused since thus far she’d done all the running. Low-voiced, ‘You’d best explain...’
After she had done so, he gentled her to concentrated acquiescence before exorcising memories of the man who’d been before him.
While wondering where truth really lay.
[80]
Wire untwisted, bottle eased from cork, drift of smoke surprisingly unsulphured, liquid gold poured steadily: a froth of bubbles.
John Pettinger, mildly suspicious, ‘What are we celebrating?’
Wicked grin, ‘As we speak, Mildred Jones is being held hostage –‘
‘What? Shouldn’t we –?‘
‘I arranged it.’ Vanessa checked her watch. ‘In a couple of hours I’ll rescue her, at great personal risk –‘
‘Whereupon her gratitude will make you safe.‘
Vanessa’s phone, ‘Bit early, but... ‘ Face fell. ‘Oh shit. The hostage-taker’s wife’s returned. Caught them in flagrante. She has a gun.’
‘Time for you to take that personal risk.’
[81] scandal, iron, sanguine
‘Who’s holding Mildred?’
‘You don’t want to know –‘
John’s hand iron-gripped her wrist. ‘Vanessa. What have you –‘
‘Look, that bitch was ready to manufacture whatever scandal she could to get me suspended, as you well know!’
‘So?’
‘So I asked Danny to help –‘
‘Danny?’
She had the grace to blush, even as she blustered, ‘Danny Divine... Jack’s brother. I was sanguine of his co-operation –‘
‘Sanguine? The only sanguine he knows is what fills his –‘
‘Evidently! Undiscerning enough to get it up for –’
‘So will his wife shoot to kill?’
Vanessa shrugged, ‘Probably. Or maim.’
[82] scandal, iron, sanguine
As John stared, scandalised, at his boss, her phone rang, a phrase from some Iron Maiden song.
She connected, listened, smiled and disconnected. Replenished both glasses. ‘Guess what we forgot?’
Raised eyebrows.
‘Danny Divine does porn. Forgot to switch the multi-angle cameras off. Mrs D made them repeat it. Several times. At gunpoint. Said if he misbehaves again, she’ll distribute under their Impure Blue label. If they don’t like it –’
‘She has a gun. And they’re rumoured to also supply the snuff market...’
‘Sanguine Stunts.’
‘Urban myth of course...’
‘Of course. And Mildred?’
’Won’t try to outwit us again!’
[136]
[137] lamp pair thumb
Another toothcomb search of Edith Edgewater’s home, fruitless as the first. She had to be the connection; what was needed was indisputable proof.
Watching, from the half-landing, the SOCOs dispiritedly descend the stairs DC Moth’s attention was caught by the whinny of a pale grey horse grazing in the field beyond Edith’s back garden. Its stable formed part of the back fence.
Edith’s claim the coffin-shaped wooden box found within held only long-unused archery equipment quickly proved a lie. The lid dust-free and, on raising, revealed sufficient evidence of stalking with malicious intent to convince the most cynical of juries.
Long-inured to the bland, media-brushed projection of governmental politicians and their perpetual Julian optimism DI John Pettinger equally knew that had Morgan Senior’s lack of education been anything other than pretence the Honourable Lois wouldn’t for one moment have been tempted to marry him. Had to assume her desire for a genuine bit of rough chimed with his for – for what? Money? Prestige? Whichever, she – too old for a Yummy Mummy – was unlikely to permit her only son being thrown to the likes of Agnew and the Mayhews.
‘No can do, Sir. He’ll come before the magistrates in the morning.’
'They’ll allow him bail –‘ The unambiguous certainty of a politician.
Pettinger hesitated. ‘Depends on the magistrate –‘
Morgan groaned. ‘Of course. If it’s ex-headmaster Mitchell he’ll want to make a like father, like son point. Christ knows, he caned me often enough –‘
‘And the honourable Miss Blackwood-Tompkinson will resent your wife’s wealth –‘
‘So we’re fucked, either way?’
‘Depends which of you appears in support. Send your wife in if it’s Mitchell –‘
‘And my job, if it’s Barbara, is to suggest advantages will accrue if she grants it!’
‘You know her?’
‘One solitary, but memorable occasion, aye.’
DI John Pettinger’s several occasions with Barbara Blackwood-Tompkinson were such he preferred to keep them secret; boasting or abnegation of the winter months they’d spent cuddling under blankets, Bruichladdich and Bunnahabhain in stalls either side (all that stable’s horses named for Islay whiskies) would be a gross betrayal.
Burying the memories, ‘Bollocking Christ, man, it’s your son’s behaviour that’s the problem, not who’s likeliest to let him go!’
Something hot and violent – lava from the core of Cotopaxi – flashed so fast through Morgan’s eyes that Pettinger thought he’d dreamt it. Until, ‘Of course, but I prefer to administer justice myself,’
Gavin Morgan MP not a Guardian reader then (unless his implication of violent retribution was a bluff). Pettinger doubted it: unlike most politicians his tolerances (and lack of) were well-documented; he not one to straddle too many hand-wringing Leftie beliefs.
So how to account for his son’s drug-dealing?
Delicately, the DI enquired, ‘Mrs Morgan? Olivia? –‘
‘Olive. Black-hearted as, and morals as slippery as –‘ He caught Pettinger’s eye. ‘Yeah.’
‘Yes?’
A sigh. ‘Yes, she’ll have been turning a blind eye. And I should’ve been around more –’
Impatiently. ‘Familiar story. Which would only be made worse by allowing bail.’
Bail was allowed.
Thanks to Olive Morgan’s cleavage, permitting hope to spring in ex-headmaster Mitchell’s eternally pigeoned-chest, the boy-band-faced Morgan was released into the fractious bosom of his family.
His father lashed him verbally, clenched fists preventing him delivering the more effective punishment.
His mother raised (again) his allowance, so he wouldn’t need to deal, not understanding it propelled by defiance of his father.
One of Jason Agnew’s minions stopped him on his way from school. Too inexperienced to know enough was enough the damage inflicted was petechiae-mapped.
Concealed from his mother beneath a tactful sheet and eyelids closed forever
Two days after his son’s funeral Tolly Morgan called on DI Pettinger. John studied him: a man who’d revelled in control suddenly become vulnerable. Physically unchanged but internally shrunk.
‘I’ve a proposition to put to you.’
‘Let’s go somewhere less official.’
Pints of Adnam’s finest before them, Morgan said, ‘Society is rotten, wicked to the core. Something must be done.’
Pettinger inwardly sighed. ‘We’re doing –‘
An impatient gesture. ‘I’ve received scores of emails on the theme of “hanging’s too good”. What I want is to find a way to stop it happening before it starts.’
Glumly, ‘You’re talking castration?’
‘I’m talking education!’ Tolly Morgan was fierce.
Accepting he’d been inappropriately flippant Pettinger apologised with an upwards gesture of his pint. ‘Explain.’ Added, in acknowledgement of the man’s still red-eyed grief (and his guilty conscience) ‘Please.’
Tolly Morgan explained.
John Pettinger thought it ... ambitious. Wanted to say something about sow’s ears and silk purses. Remembered Valdeta’s delight at the pashmina he’d bought her – ‘Cashmere’s made from baby goat hair!’ – and the speed with which she jettisoned an acrylic scarf.
Remembered Aleks.
Tentative, ‘Educate Jason Agnew?’
‘Those in his orbit. His recruits. Would-be acolytes.’
‘I’ll see what I can do.’
While John Pettinger no longer considered the practice of partial strangulation, followed by evisceration, to be an appropriate form of punishment (although no doubt a vivid deterrent) he was even more ambivalent about ‘education’. At least of the timid, softly-softly approach of would-be do-gooders whose devotion to promoting the after-life fell short when it came to queue-jumping , however forcefully applied.
Yet the middle ground –
Inwardly, he groaned, imagining the necessary vastness of a spreadsheet which tabulated grades of wickedness of crimes.
Across the table Tolly Morgan read his face as clearly as if he had spoken. ‘Not like that.’
Loudly, and in English, ‘Bathroom Yanno? I’ll show you.’
The room a sickly confection of caramel and chocolate, wallpapered with a should-be-banned cultural appropriation of ever-repeating squatting Degas women.
There she seized a cotton towel, began concertina-folding it between nervous fingers. Taking the opportunity to pee, Pettinger asked her, ‘D’you believe you’re in danger, Valdeta?’
‘Not while I’m so good to him in bed.’
He shook himself, zipped, flushed. ‘And you speaking English?’
‘Aleks is having lessons. For when he comes to you.’
At “divorce” a too-hasty swallowing of the iodine-accented spirit swamped Pettinger’s vocal cords, momentarily interfering with what he’d not yet decided was relief or commiseration. For himself or her. Had to be admitted the thought of her long-limbed body sharing the usually stark solitude of his bed appealed, but she a full-time detective, and Aleks, even at eleven, needed better than the work-free hours they could squeeze out between them for child-care.
He expressed this to Sally, fully acknowledging her especial rapport with his son.
She smiled. ‘I know. And I’ve a solution –‘
‘You have?’
‘I have a sister.’
It’d been a long day. Used to the yoke of professional responsibility Pettinger stood. ‘You don’t live far away, do you? I’ll drive you home. Aleks should be sound asleep now, that meal you cooked –‘
Sally smiled. ‘”Complete replete” he said. Don’t know where he gets his English from; it’s a right mixture.’
‘He reads a lot. Si-fi, Thrillers. And anything in between –‘
‘Yeah. Including Fifty Shades of Grey.’
‘Bollocking Christ! Who gave that?’
‘He found it boring. Said Jake did it better.’ Sally’s eyebrows rose, ‘Jake?’
‘Father of Aleks’ half-sister. She’s dead.’
‘Is Jake?’
‘I don’t know.’
Amused at Sally’s misinterpretation of what had gone on between himself and Philly Stepcart – possessive already, after only one night! – yet needing, for professional purposes, to keep both women sweet, Pettinger made sure his greeting platformed gratitude – ‘Sally! Aleks has just messaged me in praise of your sister!’
Change of focus [388] coin
peacock twitch
Pettinger’s expression twitched from wry amusement to shame-faced acknowledgement of the
shallowness of his desire. Better, to coin a colourful, if badly alliterated
phrase) the done deed of a dunnock than the peacock promise of a bird just
flown. And he’d plenty time to thwart Sally Vicksen’s matrimonial aspirations
(if that’s what they were).
Meanwhile, he’d a murder to solve. Stepcart’s ID of a potential
killer more useful (at the moment) than her mischief).
And he’d a son to take better responsibility for (even though by
the sound of it Sally had already got one foot through the doorway there.)
Change of focus [389] abstain
nothing shroud
Pettinger assembled his team for a briefing.
‘Dodger was one of many children stolen from the streets and
forced to participate in porn movies by a woman known as Omega. The whole
operation so well-shrouded I knew nothing about it.‘
‘Stepcart discovered it?’
‘Aye.’ He’d abstain from giving details. ‘When novelty wears off,
they’re ‘allowed’ to escape. Not knowing they’ll be filmed doing so, and end up
starring in their own snuff movies.’
He put up the appalling selection of stills. Pointed to the last.
‘We’ve identified one of the cameraman.’
‘Another victim?’
‘No. But he’s about to become ours.’
Change of focus [390]
A face and a name which,
despite Philly Stepcart saying was likely to be false, felt like the first two
steps on a path as yet unmapped; stepping stones on a trail which would take
them through a forest of misleading clues, from which they would have to seek,
to snatch snippets of evidence poking sly and half-seen from twisted
branches; snagging feet as they almost
stumbled past. Ever-present in John Pettinger’s head, as if it were a
spine-chilling film, a murder mystery, a black-note soundtrack, dictated by a
metronome programmed to gradually go ever faster, racking tension ever tighter.
They’d a location: a once-warehouse, fronting an apparently
dis-owned site on the north bank of the Tees, had identified and followed
camera-toting bishop. Were all in place to make arrests when … ‘Bollocks!’
Change of focus [392] echo grind Merlot
It took Pettinger a moment to spot, within the dim
interior, the source of the tank-like
grinding rumble. Took longer still, noise echoing, distorted around the empty
warehouse, to understand it came from a phalanx of wooden barrels, trundling
with increasing speed, in their direction.
Beside him, DC Henry Moth sniffed loudly. ‘Wine.’ Added,
with satisfaction and a nod towards the word painted on the wall, ‘Merlot.’
Then a dozen spotlights blinded them. Silhouetted men
directed cameras toward them. Instructions megaphone-boomed, and with horror
Pettinger and his team understood they were to be the subjects of an epic,
widescreen snuff.
Change of focus [393] bubble demolish siesta
In a café named ‘Siesta’,
where momentarily closed eyes risked being mugged, Philly Stepcart overheard
the planning of Pettinger’s team’s demolishment. Took but moments for habitual
bubble of jaded disbelief to pop, this lot being prone to take the hero’s part
in every tale they told, but there was a
note of authenticity...
…and from outside,
shouting and the rumble; inappropriate bright light leaking from boarded upper
windows, told her it was true. She’d arrived too late.
Then the warehouse door
she stood before shuddered. A barrel burst through its rain-rotted bottom. A
second, third, then Pettinger, Moth, wielding staves.
Change of focus [394] foster manuscript stigma
For Philly Stepcart, the shred of hope she’d fostered, that
the stigma of her less-than-salubrious past mattered little to a detective
whose history – she’d heard the rumours – was far from pristine, was rewarded.
The pleasure in Pettinger’s gooseberry green eyes, on seeing her,
unmistakeable.
Brandishing one of the wooden timbers, he demonstrated how
he and Moth braked then re-directed barrels so as to cause a pile-up sufficient
to topple backwards onto the would-be snuff-makers.
Later, well wined and dined, and preferring honesty, she
confessed. ‘I’ve read Raptor’s manuscript confession –‘ And watched Pettinger’s
face bleach white to match the candles.
Change of focus [395] Atlantic stupefy texture
On hearing a name he'd striven to wipe from his mind, a name
associated with the most depraved chapters of his family history, John
Pettinger near choked.
Stupefaction evident, disbelief wide as the Atlantic,
'R-Raptor's confession? I don't… how,
how… I didn't even know there was such a document.'
'You're calling me a liar?'
Philly Stepcart's question fit a well-worn groove. Training
kicked in. He watched for tell-tale tics. Listened to the texture of her
breathing, the timbre of her voice. The red/yellow flicker of eyes that had
already mesmerised.
Recalled she was a journalist.
'Yes. Until you prove otherwise.'
Change of focus [396] Santana strain third
Pettinger back-tracked. Straining truth for lies not in his
self-interest, 'Not liar, not exactly –' A twisted grin paid tribute to the
background music; the bistro's owner evidently a Santana fan. 'Perhaps,
"Black Magic woman"?'
'A theory you'd like to test?'
A third attempt to quell desire strained more than
professional propriety. Should he, could
he trust Philly Stepcart would do likewise? Or would he be reading about
himself in Saturday's colour supplement?
Surely she was similarly constrained, hoping he'd say more
of Raptor? (A momentarily detumescent thought.)
But no.
Philly smiled. 'I'd like to meet your son. Also like.'
Change of focus [397] former lake plaster
Aleks! Bollocking
Christ, he was unfit to be a father!
Not only had Philly Stepcart's words reminded Pettinger he
had a son, but also of his former antipathy to journalists, now drowned in a
lake of lust.
So – what time? Half ten. Past bedtime? He'd better phone –
'Papa! Hi! Sally's sister says you probably too plastered to
come home –'
'Not true –'
'So I am at her house.'
'Tell her… tell her I'm sober but need my sleep. I'll
collect you in the morning.'
Philly's expression, as he disconnected, one of
questioning amusement. 'How d'you know
he's not lying?'
Change of focus [398] proof tendon yawn
Proof, at least: Aleks' absence evident in the yawning emptiness
of his bed, duvet heaped upon the floor.
Aware of Philly, eyes avidly absorbing his books and pictures –
pitifully few, which in themselves told a tale – Pettinger ushered her out,
making incoherent and insincere suggestions of coffee, suddenly aware of the …
impropriety (or obscenity, in some eyes) of making a move on a lass young
enough to be his daughter.
But, old beyond her years (and that no reassurance!) she shook
her head. Rested, for a moment, two fingers on the tendons of his throat. 'We'll just sleep.'
Change of focus [399] beard
public rune
In Pettinger's experience, the majority of sex workers, having
sold their bodies for public consumption, come to count the currency worthless.
'Twas ever thus: didn't blond-bearded Vikings scrawl runes at Maeshowe,
commenting on the charms of a wanton Isabella?
He wasn't such a prick-led savage. And with Philly's history… He
gestured to Aleks' empty bed. 'Take that if you prefer, the sheets've only been
on a couple of days.'
But Philly smiled. 'You don't trust yourself?'
He stared. 'And how am I supposed to answer that? Damned for rape
if I don't, and you'll sulk if I say you're resistible!'
Change of focus [397] casual inherit salubrious
Sliding, solitary and naked between his far less salubrious
sheets, conscious of Philly Stepcart just a wall away, John Pettinger forced
himself to consider parental responsibility. While he could not be blamed for
the circumstances of Aleks' early upbringing, now really was the time to start
thinking about how Aleks might perceive his occasional forays into casual sex.
Nowhere near as bad as Aleks' mother, of course! Neither quantity
nor quality.
Then he recalled an earlier conversation, about one of the
perpetrators of his own much earlier and far murkier moral inheritance.
He'd talk to Philly about Raptor over breakfast.
Change of focus [398] scalp tine vague
'Raptor? He was your mother’s brother?''
Philly Stepcart's post-breakfast conversation-opener sent the
tines of Pettinger's fork skidding through his egg-yolk. Attempting vague
disinterest, 'You claimed to have a confession?'
'Yes.'
'It'll be false.'
'A forgery?'
Involuntarily, Pettinger pictured him, yellow eyes, cheekbones
savage-stark. Least physical of the family but most frightening, for his
ability to slice through one's scalp and tear notches in one's mind. 'He'd've
confessed to nothing.'
'Precisely.'
'Precisely bollocking what?'
'Paid a fortune for this document. It was blank.' Her smile not
as sorry as it should've been. 'Worth it for the access to Aleks' diary
though.'
Change of focus [399] drift
camel sanguine
'Aleks' diary? You've
been reading Aleks' diary?' Pettinger's temper, having been lulled to
sanguinity, erupted with alarming intensity. He stood. Loomed across the
breakfast table, shouting in her face. 'Christ, Philly. Never mind that
bollocks about camels and needles' eyes, that's a gross abuse of hospitality!'
Coolly amused, 'Camels? What've they got to do –?'
'Whatbollockingever! You know what I mean! I trusted you!'
Something close to remorse drifted across her goldfinch eyes. 'You don't need to worry. He's only got good
things to say about you.'
But he'd beaten her to her bag. Was first to seize her notebook.
Change of focus [400] custard
emboss language
A bog-standard, custard-yellow reporter's notebook.
Nothing fancy; not embossed with peacock quills or made from panda-chewed
bamboo. Just as well because, trying to open it with one hand while holding
Philly back, her language less than lady-like, was proving difficult; the
effort required to stop himself slapping her distracted, resulting in it slipping
to the floor. She lurched forward, planted her left foot on it, but Pettinger's
right, already in motion, landed immediately after, with some force, and since
she'd not yet put her boots on, and he had, her screech of pain was such he let
her go.
'Bastard!'
Change of focus [401] alarm contradict hump
John Pettinger's alarm at
the speed with which the studded pattern of his boot replicated itself on
Philly's foot, multiple humps of magenta and purple, oozing beads of scarlet
which sped to form rivulets, coursing along the parallel valleys between bones
and toes was intense.
Seeing her sway, he
reached again for her and, in total contradiction of his previous intent, found
himself supporting her sagged weight, she having passed out with the agony of
it. He lifted, carried her. Bending to lay her on his bed he heard Aleks come
in, laughing, 'You've made the beast with two backs!'
Change of focus [402] allocate butler cushion
Aleks' innocent allocation
of sexual intent to his father lowering Philly Stepcart to his bed; to Philly's
clinging tightly to him, doubtless fearing his next trick would be to drop her,
set Pettinger's cheeks to red, but had
the merit of temporarily diverting Philly.
Pettinger ordered, 'Get
some tea-towels, to stem the blood. And a cushion to raise Philly's foot; slow
the flow.'
Aleks returned, a tray balanced on splayed
fingers, cloth draped over his arm, smudge of black across his top lip. 'Papa!
Who am I?'
Impatient. Then
relenting, 'Don't know. A butler?'
Philly laughed. 'Manuel
from Fawlty Towers!'
Change
of focus [403] eradicate tinsel urge
Yet another reminder of the breadth of his ignorance regarding
Aleks' childhood. Nine years before he
knew of his existence. No tinsel-pricking tingle of even so much as the
possibility; no urge to verify Valdeta still alive, never mind he'd impregnated
her.
Now he had the chance to be a full-time father, he was making a
piss-poor job of it. And since it was impossible to eradicate what had thus far
shaped his son, his best chance now was to bury it in better memories. Caught
lowering a tearful, bruised and bloody Philly Stepcart onto his bed would
hardly qualify.
Change
of focus [404] Guinness merge slur
Whilst Aleks was amusing Philly Stepcart, John Pettinger guessed
she viewed his kneeling at her feet, his cautious attempts to stem the merging
trickles of blood as no more value-adding than the tourist-aimed shamrock drawn
in the foam atop a slow-poured pint of Guinness.
Opening his mouth to make another sincere-but-superfluous
apology, he was forestalled by Aleks, who'd spotted his 'Top Secret Diary'
splayed open beneath the coffee-table.
With all the ferociousness of the Big Bad Wolf (but wrong story)
disbelief slurring his words, he demanded 'Who's been reading my secret diary?'
then correctly read his father's glance
at Philly.
Change of focus [405] aloof
ermine rigging
John Pettinger's first impulse, having earlier explained to Aleks
why it had been deemed desirable for Philly Stepcart to sleep in his bed, was to
hold himself aloof from Aleks' accusation concerning her different rigging of
the notions of trust and personal privacy. Then he wondered whether he ought
instead to be teaching compassion, empathy and some of those other
ermine-bedecked notions of civility the British were so fond of. At least, in
comparison with Khakbethian brutality.
Which set circling the ever-present worry of how long would he
have Aleks for?
Which depended on what child-care arrangements he could make.
Change of focus [406] abdicate love pith
The mobility of Philly Stepcart's face enabled John Pettinger to
track changes in her temper, from pain to amusement at Aleks' joke, through
pith-tinged guilt at having read his diary before arriving at empathetic
understanding, having read Pettinger's mental somersaults as he rued his
unintentional abdication of parental responsibility. He wondered how it looked
when she made love.
Aleks, looking from one to the other, his ability to read adult
emotions exceeding most boys his age, allowed accusation to fade.
For a moment they were held in a bubble of mutual understanding,
then Sally Vicksen's voice was heard, calling 'John?'
Change of focus [407] embarrass
reed miracle
By the smallest of miracles Aleks, nearest the sitting-room door,
was first to rise and go into the kitchen, thus preventing Sally Vicksen's
further uninvited incursion and saving Pettinger's further embarrassment. Not
that Aleks was impelled so much by intention to conceal as his desire to share
with her his recent discovery of Lou Reed's 'Sally Can't Dance'.
By the time Pettinger emerged, smiling and non-disheveled,
closing the kitchen door behind him, YouTube was playing loud enough to mask
the sound of Philly Stepcart's availing herself of a soothing bath.
Pity was, Aleks hadn't thought to hide the bloody tea-towels.
Change of focus [408] counter
heal Paris
At first glance the discarded tea-towels heaped upon the kitchen
counter could be taken as a mountain
range, modelled in plaster of Paris for a Lego snow-scene, the scarlet streaks
suggestive, perhaps, of some post-disaster action.
Taken in conjunction with Aleks' singing and Pettinger's
near-smothered guilt, it was not surprising Sally Vicksen's insensitivity
encouraged her to proffer sugared smiles and fresh-baked cakes.
Only when Philly Stepcart opened the door, damp-blushed and
revealing all a tiny hand-towel failed to cover was it obvious that a level of
damage unlikely to heal had been done to Sally's hopes of becoming Pettinger's
wife.
Change of focus [409] early
mate squalid
Pettinger could see
all too well how Sally Vicksen would interpret Philly Stepcart's near-nakedness
as squalid. Would cite damage to Aleks's tender sensibilities, not knowing (not
her fault) he'd witnessed corruption from the cradle. (From conception if you
believed in the possibility of such early sentience, though the knowledge that
he somehow – internally?– experienced
the mating of himself and Alek's mother was … disconcerting.)
But the lad at least had the wit to seize the plateful of cakes
from her unprepared hands, before they became ammunition, and the charm to take
a bite and thank her, as she backed away.
Change of focus [410]
allocate poach trajectory
Sally Vicksen backed as
far as the worktop. Seized one from a dish of eggs Pettinger didn't know he
possessed, raised her hand and threw it, its trajectory giving nothing away as
to which of himself or, Philly being behind him, she aimed at.
As she reached for a
second (this allocating her fury more evenly) Aleks cried, 'No Sally! They're
mine! I poached them for papa's breakfast.'
'Poached?' Sally was
confused, 'but they're still raw –'
Aleks frowned. 'Isn't
that the word? I know apples are scrumped and –'
Pettinger, pretending
disapproval, 'You, son of a cop, nicked them?'
Change
of focus [411] pilgrim plait
roadblock
Faced with triple-faced misunderstanding – the punk-haired journalist
pretending pious as a pilgrim, Aleks' forehead plaited with uncertainty;
surprised at her apparent thievery, and John's conflicted, conscience-led
disapproval masking pleasure in his son's mangling of language, (and, no doubt,
remembered pleasure from having Stepfuckingcart share his bed) the hopes Sally
Vicksen had carefully harboured – that he'd come to view her as partner for
life – hit the roadblock of reality.
With dignity, she gently set the second egg back in the dish. 'I hope
you'll find someone better equipped than her
to teach your son right from wrong, because he deserves it.'
Change of focus [412] album shingle undiscovered
A
shiver quivered upward along Pettinger's spine, like that felt at the first
touch of clippers, shingling winter-grown hair, in preparation for a summer
that might not come. More likely his conscience barbed-wire twitching in
response to Sally's all-too-evident aspirations, but, like music, you couldn't
make yourself appreciate what didn't
appeal. He found himself picturing album covers – his parents' wholesome Doris
Day versus his then lust for Courtney Love; opera and its attendant rich
delights undiscovered for far too long.
Whereas Philly … much to yet discover, but he
still very far from sure he ought to even try.
Change
of focus [413] mongrel Egypt pardon
Pardon was owed on both sides, though
Pettinger's crime by far the lesser, since his stamping on Philly's foot had
been an accident, whereas her reading Aleks' diary, her desire to delve into
his mongrel-bred family history deliberate. Beyond that … blame could be laid
on either side, murky as an Egyptian doss-house; convoluted as the asp which
bit Cleopatra.
At
Sally's exit, Philly had retreated upstairs and now re-entered the kitchen
fully-dressed, goldfinch eyes a-flutter with mischief.
'Eggs
for breakfast? Or should we throw more at the walls, like tempera?'
With
careless cruelty Aleks laughed. 'Sally lost her temper.'
Change
of focus [414] husk initial issue
Pettinger had been
repelled by their careless cruelty towards Sally Vicksen, even as he knew
neither Philly Stepcart nor Aleks could be blamed, since her ever-kind
intentions had always been on his behalf. She the one who'd fielded Aleks initial
appearance at the station's front desk – a grubby hobbit from whose mouth
issued an incomprehensible tirade of husk-rattled words she could not begin to understand.
On hearing the child was his son, she'd kept his secret, and could not be
blamed for Aleks escape from her so as to accompany him on his mission to
ascertain whether Valdeta still lived.
Change of focus [415]
barrel provoke Scot
Pettinger, provocation scratching at his temper as had, he unwillingly
recalled, thistles worked their way into a sleeping bag when on a camping trip
with some lass he'd fancied enough to take up her suggestion they pursue some
Speyside Scottish single malt whisky trail.
The malt odour, the copper stills, the rows and rows of sherry barrels
had impressed near as much as the end-of-tour warming drams of Glenlivet,
Glenfarclas and Tamdhu, and she'd been keen enough until, venturing unwillingly
out into the black black night for a pee, he'd stepped into a still-liquid
cowpat and trekked it back inside.
Change of focus [416]
hotel limit quarter
Distance intervening of nigh on a quarter century; hindsight adding a
roseate glow, Pettinger now recalled memory of that camping trip a little more
fondly. Funds had been so limited a hotel was completely out of the question
(except he'd fantasised about a last night, sex-filled fling, preceded by a
long hot shower (and there'd been times he'd thought if a only one of those were
permissible, he'd forego the sex.)
In the end, he'd been even gladder she'd a father, willing to not only
drive 200 miles to fetch them, but treat them to a meal as well.
Change
of focus [417] curate pretend trilogy
Pettinger dragged his mind back to the present. To his kitchen, the three
of them staring at the yolk-bespattered wall, just as good an example of modern
art as he'd seen in an exhibition curated by a colleague's graduating daughter,
alongside a trilogy – or triptych maybe the more authentic word – of spatters
which could've been blood or tomato ketchup.
He'd been unable to even pretend he liked it.
He clapped his hands to gain attention. 'Enough. Aleks, you can start by
washing that wall, And Philly, before you leave, I need a statement –'
Smirking, 'Of intent? Yours or mine?'
Change of focus [418] key lubricate unwanted
Avoiding Philly's too-knowing eyes, Pettinger addressed
his son's back. 'That elbow could do with a little lubrication!' Aleks, water
dripping to the floor, paused in his desultory dabbing at the egg-yolk on the
wall, the stiffening of his shoulders expressing reluctance to admit ignorance
as to whether the remark was joke or unwanted exhortation to work harder.
'Elbow grease, lad! Less water, more effort. Find
something more abrasive –'
Behind him, Philly sniggered, 'You'll need to
demonstrate, John, I'm off to work.' To Aleks, 'I expect it to be sparkling
when I return.' Whereupon she waved a key and went.
Change of focus [419]
cheap powder testosterone
Pettinger, unsure whether it was anger he was feeling, at
her appropriation of a key, or anticipation of her later return – and knowing
neither would benefit unless Philly was willing – refocused on his son who, at
her exhortation – incipient
testosterone? – had begun to scrub.
Without effect.
'What're you using, lad?'
'Aleks pointed to a cardboard cylinder, the holes of
which bore traces of white powder. A frantic scouring of his memory then
Pettinger recalled it was some cheap substitute for Vim.
Least, he hoped so. Bit embarrassing if the guy who'd
sold it to him was disposing of his stash.
Change of focus [420] float
Michelangelo wild
Within the month, the problem of Aleks' out-of-school care was solved: a
portrait-painter neighbour willingly providing snacks and supervision in
exchange for twice-daily walking of his dogs.
Aleks was ecstatic: 'They're big and black and one's called Raphael and the
other's Michelangelo!', adding, with an air of educating Pettinger, 'They're
Renaissance painters.'
What might once have been considered a problem – Philly Stepcart having his
spare key – became a different sort of tease. He got used to returning to a
kitchen afloat with the aroma of garlic. Less so her driving him wild, wanting,
never able to believe, she would stay.
Change of focus [421] erudite
holly meander
DI John Pettinger looked down from the cliff
to the tight-packed roofs of the once Roman port, Iarum, tight-held in the
U-bend of the meandering Tees. Beside him, DC Henry Moth, un-showered and
faintly female-perfumed.
Unlike himself. His phone's vibrations woke
him at 5am. Philly, other side of the wall, stayed asleep.
Eventually, SIO Edwin
Rudd, whose experience further justified
his nickname of Erudite, summoned them. As white-suited SOCOs continued with
their business he gestured, smiling.
'We're lucky! A holly
hedge is excellent for holding
evidence!'
Pettinger grimaced, 'Less
so for the poor sod stuffed head-first into it. Stark naked.'
Change of focus [422 ] hammer hide liar
While Henry Moth
proved himself possessed of all the requisite skills of a diplomat (i.e. a liar
who smiled while charming his victim owner into believing his badly-mauled
holly hedge would swiftly recover from assault by machete and hammer) – the
extracted body – a woman – was laid on a sheet of white plastic. A blizzard of
holly scratches suggested raspberry-striped ice-cream (male observers keeping
quiet on the subject of jam sponge puddings) and it was not until she was
turned, on Edwin Rudd's orders, that the bloody scalpel-scratched message could
be read in its entirety: 'YOUR A BITCH WHO CANT HIDE'
Change of focus [423] bolt
feather mandible
The sudden wince and tight-clenched stiffening of several
mandibles, caught unprepared as Edwin Rudd performed, without warning, the
necessary swabbing of the victim's genital orifices was, Pettinger thought,
payback for earlier disrespect. And, from the sudden closing of a gate further
along the lane, the screeching of an ill-greased bolt, similarly upset the nosy
bastards drinkers at the Feathers Inn.
Preliminary photographs had been taken, both of body and its
bloody message, and surrounding location.
As she was zipped into a body bag, and carried to the waiting
van, the SOCOs moved in and began their meticulous search for evidence.
Change of focus [424] clear
drake significant
While SOCOs searched the locus for evidence of how and when, DI Pettinger sought witnesses, and
since a significant number of the Feathers Inn regulars had been gawping over
the gate, a visit to the pub clearly the next step.
Most such-named pubs refer to the heraldic 'Ich Dien'. Not this
one. This landlord had a passion for Mallards.
Every wall of every room in the pub was decorated with ducks and drakes
– wallpaper, paintings, prints and photos. Only the hanging signboard outside
lacked the bird and bore instead a circle of scattered feathers.
The landlord explained:
'Post duck rape.'
Change of focus [425]
audience crab waste
Crab sandwiches and a pint each of Theakstons – neither a
crumb nor a drop wasted – and DI
Pettinger and DC Moth were ready to resume their investigation into the murder of
the illiterately-inscribed lass. Body removed and SOCO finishing up, the
audience had disappeared, but Pettinger's first task was to check that the
identities of all had been noted, with particular attention paid to strangers:
not unknown for the murderer to get a second thrill from watching the resultant
gathering of evidence.
He didn't know whether to be pleased or irritated at
Philly's murmured, 'Derek Nickle's who you want'.
Change of focus [426] cutting
hawk tea
By tea-time they
were in the mortuary, the pathologist’s aristocratic nose mere inches
from the calligraphic cuttings on the body's back. Wielding magnifying glass –
a barely-necessary supplement to the hawk-eyed experience of his years – and
speaking for the benefit of the microphone suspended above his head, Edwin Rudd
expressed his opinion of the standard of English teaching at the local
comprehensive.
Irritated, Henry Moth (who'd left there with several
A-levels) pointed out, 'Derek Nickle never went there –'
Sharply, Pettinger, 'You know him?'
'Aye. Was head boy at the grammar –'
'So why the hell did Philly point the finger?'
Change of focus [427] cocktail fast tarnish
DC Henry Moth explained Philly Stepcart's claiming Derek
Nickle implicated in the murder of Toni Forsyth, the holly-bush lass.
'Nickle senior. Tried curing his mid-life-crisis with the
usual cocktail of sex'n'drugs with schoolgirls. Over-heavy reliance on the
protection of privilege. Inevitable blackmail fast-drained family coffers. Topped
himself when it became headline news, thanks to Stepcart's investigation. When
Derek realised how badly tarnished his silver-spoon inheritance, it was the
papers rather than Pater he blamed. Either he mistook Forsyth for Philly, or
was targeting all blonde female reporters.'
'We need to warn Philly –'
Henry smiled. 'D'you think she doesn't know?'
Change of focus [428] bloat pocket wonder
Despite – or perhaps because of – being born into Khakbethian
royalty, and having witnessed brutality and immorality at first hand, from each
and every of his closest kin, John Pettinger was scornful of Derek Nickle's
bloated belief blind-eyed leniency was his birthright. Charged with the murder
of Toni Forsyth he denied he was guilty but his pockets, emptied at the custody desk, contained both
the knife used to carve his misspelt
message and a list of local journalists. In addition, hands and arms were
blood-blistered and bloated. Thanks to the wonders of forensic science, an ilex-allergy was
proved; his conviction assured.
Change of focus [429] black-eyed, pristine underwater
Except, except …
Derek Nickle had a sister, Black-eyed, nubile and bullied from birth. She swore
blind, knife and 'school project' list were hers; Derek's allergy not ilex but jellyfish 'from
his passion for deep-diving.'
Scoffing, Pettinger
suggested taking him to the river: 'Throw him in, see how long he stays
underwater!'
Henry Moth
protested. Vehemently.
Completely out of
character.
Raised Pettinger's
suspicions, and received the bollocking of his life, soon as Pettinger established the reason: Derek's
sister had been 'persuaded' to sacrifice her pristine reputation (thus providing
necessary evidence) and instructed to cry 'Rape' soon as the deed was done.
Change of
focus [430] consolation
plain traveller
Henry Moth's abject apology was too little, too late; his
red-faced explanation he didn't, not quite,
go all the way with Nickle's sister, only small consolation to Pettinger who
understood it had been squeamishness – 'Plain to see she was covered in the
same sort of rash as her brother; not one I fancied catching' – rather than
moral scruples.
'Hope you can prove it lad. Rumour has it the Nickles are Romany.
Traveller blood in the family. Understandably, they won't stand for slights to
their women's honour –'
'But I didn't, I swear!'
More pertinent is what she says about it.'
Change of focus [431] appliqué
march remorse
John Pettinger felt no
remorse for his embroidering of the truth; his appliqué of a scary fairytale to
his chastisement of Henry Moth. Marching to stand in front of the whiteboard
which dominated one wall of the incident room he addressed his assembled team, pointing,
one by one to the photos pinned thereon.
'Derek Nickle.
Malodourous scrote , now facing further charges of attempting to thwart the
course of justice. Sister Delilah, similarly toxic. Similarly charged. And Toni
Nichol. Who bore superficial resemblance to Philly Stepcart. And paid the price
–'
An unseen voice. 'And was
similarly superficial in bed.'
Change of focus [432] calculate muscle still
Quick as a flash, muscle
spasming fingers to fist, John Pettinger attempted to calculate, from the direction
the voice had come from, who it was claiming to've slept with Philly. And had
found her … not unimpressive, at the very least. Failing, he continued with his
briefing. 'We have How, and Who, and sufficient forensic evidence, but I'd be
happier still if we knew Why. What prompted the message scrawled on Toni
Forsyth's back? Was Nickels acting from his own sense of grievance, or on
someone else's behalf?
'And if so, who? We need
to ask.'
He'd insist on Philly.
Change of focus [433] anemone gentle pit
If Philly Stepcart had been as keen to appear by his side in bed as she was when,
in the early hours, she heard the gentle alert of his work phone, John
Pettinger would be a happy man. With a
brazenness he'd've better enjoyed, pit of belly conscience-free, had she
demonstrated it in horizontal mode between the sheets she stood close enough to
hear the details clear as he.
To flatly echo, 'Annie
Moan?'
Pettinger nodded,
picturing the aged whore. Violet eyes, lashes mascara-laden stamens, complementing
the flower she'd been named for. 'Anemone, aye. Fullerton's garage pit, down
Wharf Street.'
Change of focus [434] cherry
magnet worse
Aeons of black engine
grease glistened in what half-light penetrated a shed built to accommodate a
half-dozen double-decker buses. Took a torch to show what looked like dark-ripe
cherries on the surface were gouts of blow-thrown blood. Or worse, because
whatever had been within Annie Moan's skull had been expelled.
Appalled, Pettinger looked into the pit, 'Unspeakable.'
Beside him, Henry Moth tilted his head backwards, indicating the
jovial murmur of camera-ready journalists. Bitterly, 'But they'll speak of it, won't they? Know headlines of a death of such
as Annie act as magnet for the moralisers. Sell a sight more papers.'
Change
of focus [435] effluent pearl support
CSI Kate Rivers arrived
with half a dozen SOCOS. Banning DI Pettinger and Henry Moth to beyond the
taped periphery, they made initial deductions about what had befallen Annie
Moan as they circled, filmed and photographed the gore-greased scene; examining
and sifting the thick and glistening
effluent for pearls of forensically incriminating evidence.
Pettinger, aware the
familiar and occasionally beautiful ballet of their white-clad circling, to the
accompaniment of murmurs and photographic flashes, masked the gruesomeness of
their task, and remembered to be similarly appreciative of the numerous
agencies – digital and DNA – which further supported and enhance their initial
findings.
Change of focus [436] grease
question wrinkle
DI Pettinger addressed his waiting team. 'Usual questions:
Who?, Where? What? When? Why? And How?
'We do know Who, and because of her profession, can suggest one
theory as to Why – too many upholders of society condemn such as she. It does look like the killing happened here
and SOCO give TOD as no more than eight hours ago. As to How, what weapon or weapons
were used, by whom, it's impossible to say until we've got her into the
mortuary and cleaned her up. It will be a slow job, extracting grease then
prints and DNA from every wrinkle.'
Change of focus [437] craft
gig impregnable
Philly Stepcart rematerialized
as Pettinger left Fullerton's garage,
matched him step for step as he crossed Wharf Street and stood beside him, looking down to where a
team from the university were setting a half dozen narrow craft into the water.
'Not canoes –'
'Gigs by design, which,
strictly speaking, belong to ships –'
Pettinger remembered
words were her business As was the extraction of information. Well, two could
play at that. He turned to her, 'What do you know about Anemone? Her clients?
Enemies?'
Eyes impregnable. 'For an
exclusive?' and Pettinger glumly wondered whether she'd played him all along.
Change of focus [438] cuddle
theatre Waterloo
Philly Stepcart, recognising how much the responsibility for
solving yet another senseless murder weighed on Pettinger, put her arms round him. 'I'm teasing, John.
I'm not the sort of hack who trades sex for headlines. Sorry. Give us a cuddle
–'
A mixture of frustration –
professional as well as emotional – and a from-nowhere sense of
mortality, emboldened him. With give-away bitterness, 'I need more than that.'
Then he wished the bitterness, if not the words, unsaid.
Attempted rueful apology, 'I'm sorry.
A Waterloo Sunset moment. 'I'm being theatrical.'
'You are.' Tip-toed, she reached and lightly kissed him. 'Wait
until tonight.'
Change of focus [439] dream
odour virtue
For the rest of the day, to his inner disgust – he was bollocking decades from a love-sick teenager desperate to renounce virtue and
virginity – John Pettinger found his head playing host to frequent and
unwelcome bursts of Roy Orbison's herniated enunciation of 'In dreams'.
Even the pungent cocktail of odours emanating from the inspection
pit of Fullerton's garage, as exhausted
and black-smeared SOCOs bailed it out in the vain hope of evidence, failed to
silence them.
Then, just as he'd
decided tonight was near enough arrived and he could go home to the waiting
Philly, a shout –
'Another body, Guv!'
Change of focus [440] drum sorrow stone
'Another body, Guv!'
Hope, optimism, and
nicely-warming lust coagulated. Dropped like a stone from groin to ground.
Roy Orbison ceased to
dream. Instead, the dead march drumbeat that preceded Paul Simon's listing
fifty ways to leave a lover – even before she'd become one. Sorrow didn't come
anyway near. In fact John Pettinger came as near to chucking this bollocking
job as ever he had. Even the desire to properly parent Aleks hadn't made him
want to quit. He loved his job.
But even though she
understood the demand of deadlines, Philly Stepcart might not appreciate he had
no choice.
Change of focus [441] lotion trite understand
Duty kicked in, trudging
its trite and heavy-footed path. Fingers mentally crossed for Philly's
understanding, Pettinger applied another dab of peppermint lotion to his nose
and squatted to see what the CSI was pointing at.
'Bones –'
'Skeletonised. So older
than Anemone.'
'Decades, at least. I
doubt centuries. They'd not need inspection pits for horses – How long's this
garage been here?'
Pettinger searched his
memory. 'This building, fifty years, or so. But the site – wharf, boatshed, or
whatever – since the thirteen hundreds.' His phone rang. Text from Philly:
'Warming your bed.'
'Got to go. Your reports
first thing tomorrow.'
Change
of focus [442] allege rash seven
Alarm woke him. Automatically, despite believing it unnecessary,
John Pettinger checked.
Seven-thirty.
Seven?
Should be six.
That not the only thing not normal. His rolling caused the
mattress to dip. The … heat, the source of it, behind him, to tip towards him.
Fearing to move forward, lest he fall out of bed. Backward lest
he … squash …squash what was most certainly a body, behind him. A live body …
A hand alighted on his ribs.
He shuffled round. Aching but thankfully aware Philly's alleged
promise for last night not misplaced nor rash. As evidenced by her cat-cream
smile.
Change of focus [443] exquisite glove snap
'Philly, I … dear god …
you …'
As he'd turned her hand
remained stationary. Now better-placed,
her fingers … descended … sending exquisite messages to those part which
best appreciated … decoded … them.
John Pettinger forgot
he'd woken late. Didn't wonder why no beeping, no buzz nor ringing from his
phone.
John Pettinger succumbed.
Fifteen minutes later, a
siren. Blue light reflecting on the ceiling. Pounding at his front door.
Shouting of his name.
His mind snapped to
attention with the alacrity of a vinyl evidence glove. Near drowning Philly's
whispered, 'I turned your phone off. Sorry.'
Change of focus [444 ]needle prescribe thermometer
Unlike Hollywood , John Pettinger's deep-grooved sense of duty
sent him downstairs to open his front door without considering Hollywood's
prescribed dress code for DI's disturbed in
flagrante with a local reporter. Nor did he need a thermometer to
gauge the heat of condemnation rising in the eyes of his superior. Nor fail
to note doubt as the effect of the morning chill on his lack of Y-fronts
diluted green-needled envy as Philly
Stepcart made her duvet-wrapped appearance beside him.
'You didn't answer your phone!'
'I was … busy.'
'And inconsiderate.' But
not so much he was offered indefinite leave.
Change of focus [445] bark
native appropriate
Pettinger took the DCI's
barked 'Go put on something more appropriate!' as embarrassment until, turning,
he saw its crimsoned echo flush Philly's
face. They obviously knew each other, but as fellow professionals – native
local reporter cooperating with local police – or something closer? Struggling
to picture them together,. Pettinger asked, 'Appropriate for what? Scrabbling
among old bones in a fifty-year-old inspection pit or attendance at Court?'
Desk. The CSI awaits your
promised report –'
'Has the forensic archaeologist confirmed their age?'
'Sixty years. I'll set
you to going through the records –'
Philly spoke up:
'Mispers. I 'll check newspaper files.'
Change
of focus [446] gangster gull pier
Philly lifted a fleece from the coathook beside the door. Passed
it to a grateful Pettinger who, genitals concealed, stated 'Sixty years ago
most MisPers were drug-related. Police records will tell us which gangsters
favoured concrete burials, as opposed to chained-to piers to drown. Both applicable
to river deliveries –'
'– and gulls enough to mask screams.' which the DCI took as Philly's declaration of
allegiance. Addressing Pettinger, 'That'll keep you busy for a week. DC Moth
can take over Anemone's murder investigation. Miss Stepcart, I'd like you to
come back to the station with me.'
Change
of focus [447] contract, support, surrogate
Such was the crackle of
hostility emanating from Philly Stepcart at being so peremptorily ordered that
Pettinger winced on the DCI's behalf; her glare like to carbonise; cause the
man to vanish in a puff of smoke. Not that Philly's pointing Pettinger out as
the man she'd spent the night with – he become traitor in the DCI's eyes –
would do his prospects any good. But betrayal, albeit unintentional, had been
good enough to hope for a repeat).
A moment of stillness when the balance of dignity hung in the balance, then,
from behind, Aleks' voice: 'Dad, your bum is showing!'
Change
of focus [448] contract support
surrogate
Philly's laughter, at
Aleks' comment on Pettinger's déshabillé
suggested she a less-than-suitable surrogate mother. That is, if he hoped for a
stiffly well-mannered son, but despite lawless family support and
unconventional life-style, lacking any sort of stability, Aleks had turned out
bright and intelligent – suggesting nature was sufficient to overcome it. And
in truth, he couldn't imagine Philly accepting any sort of contract that
included the role of step-mother, despite her claimed interest in investigating
his "cultural journey".
Then the DCI waded in.
"That boy should be in school!"
Philly smiled. 'I'm about to take him. See you later, John.'
Change of focus [449] orifice plug stretch
Returning home after a
long stretch comprising SIO and forensic reports, jealousy-led jibing from the
DCI and a desiccated post-mortem (plus
pretending to ignore the traitorous
door-step photos being circulated, to much mirth, Pettinger found Philly
lecturing a sulky Aleks. 'In Rome,
there's an orifice known as Bocca della Verità, Put your hand
into its mouth and if you've lied it bites your finger off. Shall I take you
there now and see if it takes yours?'
'No! I'm sorry, I did use
your lap-top. Meant to unplug it after.'
'And did you learn
anything new?'
His face contorted.
'Yes.'
Change of focus [450] bubble contort wedding
Merciless, Philly intended
teaching Aleks a lesson. His confidence in Philly's indulgence fragile as a
soap bubble as he stuttered, 'You had a wedding. So you shouldn't be going to
bed with my Dad!
'Did your Mum have a
wedding with your Dad?' That part-guesswork, part research.
No, because she'd already
had a husband. But she didn't like him so he got dead.'
Philly's question
deceptively innocent. 'Does your Dad know that?'
Well-honed instinct
challenged Aleks' certainty truth the preferable option. 'Yes, and he punished
her. Brought me here. To find another mother.'
'D'you think he intends
to ask me?'
Change
of focus [451] current espalier
regret
Philly Stepcart regretted questioning the likelihood of her
becoming the current Mrs Pettinger, not least for Aleks' taking it seriously.
Frown-lines espaliered across his forehead as he struggled to balance need
for tact with honesty.
Eventually, with tolerant regret, 'I think he keeps forgetting
the mother bit –'
Genuinely curious, 'What do you
want from a mother. Aleks?'
Fiercely – this mattered to him – 'A family. A brother and a
sister, to start!'
'Does your Dad want that?'
'Well, he keeps doing the bed bit, doesn't he? And none of the women say no – you didn't!
– I'm old enough to know bed makes
babies.'
Change
of focus [452] applaud court flood
Philly Stepcart couldn't
help but applaud Aleks' logic, bleak and
simplistic though it was. She wondered whether to humanise it; bring in notions
of love but introducing the rituals of courtship felt too fairytale (especially
as she suspected Aleks' had been brought up on a diet of gruesome Khakbethian
legends; where wooing was of the werewolf variety.) Similarly, was it her place
(not yet having attained the status of wife, never mind "responsible
mother" ) to flood his innocence with details of condoms; contraception?
Especially suspecting it was the lack of that led to his existence.) Which
reminded her …
Change of focus [453] gentle
goose weave
A prickling of goose bumps
accompanied Philly's recollection of their gently woven, but rudely interrupted
just-woken, sex. So sweet, she was unable to recall whether or not a condom had
been used. Aleks' innocent "bed makes babies" no misconception.
Certainly Pettinger, thanks to his near-naked door-step arrival, had greater
reason to fear immediate consequences – and the switched-off phone entirely
down to her – but a nine-month wait for what some termed a 'bundle of joy' never part of her
Life Plan.)
Nor had it included attaining the status of "an honest
woman". Not even with John
Pettinger.
Change of focus [454] chime linen plough
All day the fear she
might be pregnant ploughed parallel V-cut lines through Philly Stepcart's
brain. By the time the clock chimed six
she was pacing the length of Pettinger's hall, nurturing an
ever-growing hatred for its linenfold
panelling, which she labelled
"pretentious", simultaneously applying the epithet to the man.
On his coming through the door, she thrust her face into his, the
harshness of her, 'This morning? Did you use a condom?' an unwelcome shock.
Too slowly, 'A condom? Yes, I think … probably. I usually do. Unless …' A grin of
recollection, 'You were rather importunate, so maybe –'
Change of focus [455] newspaper
salt substitute
A necessary skill for both police and newspaper journalists is
the interpretation of the language of faces, of bodies. Spotting those 'tells'
when lies are being substituted for truth or, more optimistically, aiming to
conceal.
Philly Stepcart's anxiety too long-simmered to be diverted by
amusement, but the aggressive nearness of her face enabled Pettinger to read
salt-tracks of tears she was unaware of crying and know the time to joke was
past. He pulled her head against his
shoulder, 'Of course. It's not a mistake I'll make a second time,' confident
she could not read his shifty-eyed intent to lie.
Change of focus [456 ]kite shade unwrap
Philly tilted her head and stared into the extraordinary shade of
milky emerald of Pettinger's eyes. 'I remember you unwrapping the first.
Noticing the logo. Wondering what sort of reassurance a flimsy paper kite was
meant to deliver. To me, it suggested fly-away, unreliable –'
'But decked with paper bows and coloured ribbons, aye, implying
the freedom to have fun –'
'Or the false promise that using one absolves all men of
responsibility!'
Pettinger noted the bitterness of Philly's complaint.
'Not so. Using one is taking
responsibility. Making sure –'
'D'you absolutely know that
Kite condoms are 100% reliable?
Change of focus [457 ]appoint kangaroo urgent
Shockingly slow, Pettinger read Philly's fear of pregnancy. Gently, he took her face between his hands and
kissed her . 'No condom, no contraceptive is guaranteed 100% effective. Even
when they're thick as kangaroo hide there's room for handling errors. Only sure
way to stay childless is to refrain from sex altogether, and I doubt you're
someone who'd take kindly to that. Best I can suggest is you make an urgent
doctor's appointment, ask for the morning-after pill –'
Voice clotted with unwanted tears, 'That the best you can do?
Time was, there'd at least be a proposal of marriage!'
Change of focus [458 ]common cynic magpie
'Marriage! You want a proposal of marriage?'
Such was John Pettinger's
breathlessness, it was impossible to judge whether it was couched in terms of
shock, surprise, delight or cynicism. (In truth, Pettinger himself, if asked at
that precise moment, would've been
hard-pushed to define it. He was well aware that the common view, in such
situations, was for the putative father to take to his heels and disappear,
pleased at having magpie-seized his chance and hoping not to have to pay for
it. But … Philly … as wife? It was very tempting.
But impossible to judge
her true willingness.
bookmark
limp wreak
Change of focus [459]
Philly Stepcart, judging
Pettinger's question so limp as to be meaningless, had no idea why she'd
mentioned marriage; her Life Plan having never been bookmarked with such
conventions as 'Husband' or 'Children'.
His eyes, however, shone with hope. If she was
pregnant (time would tell) having him on her side would be no bad thing.
She doubted he'd be one to rein her in, and Aleks an interesting project.
Just one thing: Holding his gaze, 'You know marrying me might
wreak havoc with your career.'
A smile, 'Bollocks to that. Are you saying 'Yes'?'
'I am.'
Change of focus [460] cable lime protect
Only one way to celebrate
that: bed again. Tight clutch of her legs around him, head thrown back in
ecstasy, sinews of her throat like cables – and no protection.
Both open-eyed, each
observing the other. Philly smiled: 'Did you know your eyes lose their
milkiness in orgasm?'
'No –'
'Take on the sharpness of
a lime.'
'Aleks would tell you
limes are good for scurvy. Come to which –' a glance at the bedside clock
'Where is Aleks?'
'He said some after
school club – '
Pettinger scrambled off
the bed, ''Til ten past seven?'
'A friend's house?'
'What friend?'
Change of focus [461] eclipse
throat vary
Guilt – he unfit to be a father! Worry – where the hell had Aleks
got to, when he was invariably home by six (and hadn't left a message to say
otherwise – and sheer bollock-shrinking fright combined to totally eclipse his
joy at Philly's agreeing to become his wife. Dryness of his throat hampering
his ability to speak, he grabbed her arm, 'Did he say anything to you about his
plans? When did you see him last? '
'This morning. He was saying he wanted a mother. Brothers;
sisters – I don't know that I fitted the bill.'
'I thought he liked you.'
Change of focus [462] elbow flash sock
Recognising parental
panic in the flash of John Pettinger's green eyes; the sudden absence of
experienced police authority, Philly removed her elbow from his grasp and
reached into his pocket for his mobile. Scrolled through Contacts for Aleks'
number. Input it into her own phone and listened to the dial tone. Red disc
went to green.
Aleks' 'Philly' was
relieved: he did like, did trust her.
Eschewing accusation, 'I thought you'd be hungry by now –'
His guttural, Khakbethian
reply unintelligible. Hearing incomprehension, he translated: 'Enough to eat my socks!'
'Tell me where to pick
you up.'
'The police station.'
Since this looks like becoming another serial, spawned by Prediction prompts, here is the initial story, written for House of Writers 2012, a Kansas gathering of mostly 6S and T10 writers, and its follow-up which appeared on MuDspots #48:
Action and reaction [Intruder]
I suppose what I brought was ignorance.
Not innocence for sure, it had been a long, long time since I could be accused of that. And, in truth, a long time since anyone had accused me, to my face at least, of ignorance.
Arrogance? Yeah, sure. Probably the third thing anyone might say about me (though what the first two might be I could not reliably say).
Obviously (Obviously? Just how obvious? The next-door neighbour didn’t seem to think it, but then she was of the Daily Mirror school of thought: unless knot-haired, red-eyed, wailing evidence of grief was present, you clearly could not claim, properly, to ‘care’. And I all too clearly had failed to bring so much as a scallop-edged, lace-printed cellophaned bunch of garage-purchased daffodils to lay down at the gatepost … As if that would make a blind bit of difference to anybody.)
But I did feel a lumpen sadness. Grief. Just not thesaurus words such as distraught, nor wretchedness nor woe.
Oh woe.
Regret? I suppose.
Regret that things had not been otherwise, but that applied to so much throughout my life it would be meaningless to apply any version of it here.
And so they were both gone. Gone together which, too glibly, I had at first thought would be a solace for each of them. Not that their final moments would have been anything other than filled with horror. That I did regret. Felt sharp and deep-speared pain about, and anger. Though, guiltily, I recognised that my anger was, in part at least, at the dislocation to my life.
And it would have been the anger that was in my face when the door was opened for me by the constable who’d watched my approach, himself impassive (yet there was sufficient evidence of intelligent analysis in his face – or attempt at analysis – to suggest that he was not destined for the traffic division.)
Anger was quickly displaced. Was rapidly replaced by nausea.
I had, without giving it too much thought, assumed that the room would have been cleaned, the scene of the crime dismantled in the manner of a no-longer-required film set, but as soon as the door opened the odour disabused me of that.
The smell of old blood, copious quantities of dried old blood, is unmistakable, a mediaeval shambles memory, accompanied by muffled, scuffled stave-weight blows and grunts of cudgelled pain.
More than grunts had been heard here.
But doubtless muffled by the weakness of the lungs and limbs. Initially by disbelief that such a thing was happening here and now. Their house. Their living room. Their time of life …
He met me in the hallway. ‘Sally Hopgood? I’m Detective Sergeant John Pettinger. We spoke on the phone …’
He looked as dour as he had sounded, but younger, close-cropped dark hair on a head sufficiently well-shaped for it to be flattering, though I’d need a 360˚ view before giving it full marks; most men had a scar or two to spoil the tidy symmetry, and being a policeman he might have more than most …
God! Now was not the time to be considering his looks!
But I could not help but note his eyes – an unusually pale, opaque grey-green – because they were making no attempt to hide the fact that he was examining me minutely.
For guilt?
To measure grief?
For evidence of something that would tell him I was returning to the scene of the crime – my crime – rather than not having stepped through this doorway for nigh on eleven years?
‘Sally-Ann Hopgood …’ It was an ever-required, and therefore automatic correction; I knew that I’d already given him my full name on the phone.
Presumably to establish some cursory degree of empathy, he said ‘I hope your journey was without problem.’
‘No. No problem.’
He really did not want to hear about how little I’d slept, about the Jamaican woman next to me who had been nervous but excited about seeing her daughter and that I had had to listen to her circulatory wonderings and worryings for five of the eight hours of the second flight, nor about the ridiculous delay in getting through Customs …
‘Is this …?’
I indicated the doorway behind him, well aware that the front room was where it had taken place.
He was not so much shielding me from the sight as attempting to stage-manage my progress. Nothing personal I did not think, just that he had from birth been accustomed to believe that men order, women obey.
And it wasn’t even, at that level, objectionable. Just … well, perhaps I was overreacting.
‘Yes, the SOCOs – scene-of-crime officers – have been, of course. It was a mess before but they rarely help matters, I’m afraid …’
And I’m afraid I took one look at the blood-drenched carpet before, hand to my mouth, I turned and headed out again. It would not have been so bad had it been the lurid floral affair they used to have but reasonably recently they must have changed it – not before time! – for a plain beige. They would have been upset about the waste of money …
Acting as some sort of mobile traffic bollard, DS Pettinger had moved and now stood between me and the front door through which I’d entered so I was necessarily diverted to the back of the house.
A previously-unseen policeman, anticipating my need for a fast exit, unlocked and opened the door into the back garden and I stepped out, remembering the single concrete doorstep well enough not to stumble, and headed four paces down the path before turning and vomiting copiously into the narrow border, filled with still-thriving French marigolds, between the concrete path and the over-grown, daisy-filled lawn. In my current state of visual association their petals too appeared edged with blood.
As soon as it was clear that I had finished, the constable came forward with a handful of kitchen roll and a small smile of sympathy.
‘I’ll bring a glass of water …’ he said, but his superior spoke from within the kitchen.
‘Miss Hopgood can drink it in here …’
He then proceeded to ask me all over again the questions I had already answered, haltingly, my voice as fragile as my knees, when he had first phoned, from halfway across the world, at some ungodly hour of the night, to tell me.
No I had not been home since I left, eleven years ago.
No single reason, just a … difference of opinion, of philosophy, of what we thought life was about, was for.
More than generational difference; also for their attempts to control, my refusal to be so.
Yes we had spoken in the interim, occasionally. The last time had been … probably Christmas.
No, there were no other children, no relatives, brothers, sisters or even cousins … and no I could not think of a single reason why anyone should have brought them to this end. They had been content in their lives … certainly would never say that they were missing me.
Not as much as I knew I would, from now, miss them.
Interrogation [watch my lips]
After he had asked again all he’d asked me in his first phone call, this time in the far less bloodied kitchen while I uselessly sipped water to negate the taste of vomit, he asked me to go with him to the police station. I refused, indicating my desire to change my sick- and travel-stained clothes whereupon, still dour and seeming disapproving, he said ‘Within the hour, then, if you would be so good.’
This time a jaded grey-green room, windows too high to admit other than the darkening sky, his questions more circulatory. Several I asked him to repeat, unsure of … not what he wanted, but wondering if there was a direction he was looking to take in his investigation of my parents’ murder.
In a pause my stomach rumbled. He looked up, startled then embarrassed. ‘I should have asked when you last ate.' I shook my head, it did not matter. I wasn’t sure that I was hungry. He checked his watch. ‘Another half an hour should see us out.’
Twenty minutes, then: ‘DS Pettinger concluding the interview with Sally-Ann Hopgood at eight thirteen’ and turned off the tape recorder.
‘We’ll go and find somewhere to eat.’ As I said, a man who believes that women were designed to do as they were told. I would have refused, but I’d been watching his mouth for the past hour and was wondering how soon I could get him to put his lips against my skin.
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