Showing posts with label Bridie Burdock. Show all posts
Showing posts with label Bridie Burdock. Show all posts

Saturday, 30 March 2013

Omnibus plus

 A money-saving omnibus edition of the first three Bridie and Sean books with the extra, hitherto unpublished in this format earlier tale of how Jenna copes with a three month old baby and an adulterous husband 
Now available from

and if you buy before March 31st, quoting coupon code VERNUM you pay 20% less

Wednesday, 14 November 2012

4 a.m. not too soon

Yay!!  While 4 a.m. is too soon to get up in these November mornings (unless I really cannot contain myself - in my first NaNoWriMo year I once got up at 2) the hour waiting for the more acceptable 5 a.m. was spent pondering on 'Making good' which I have, over the past few days, been re-reading.   At 120K it needed, as I was well aware, bringing to a close, but up to now I have been unable to see a way, a point at which to do it.

Probably two-thirds through writing 'Damage limitation' I had pencilled in a natural ending - the tenth anniversary celebration.   The whole series was meant to end there, but with the final half of the final chapter already written, something unexpected (to me, at least!) happened at the  beginning of that chapter, which necessitated the writing of 'Making good.'

This, I am (fairly) sure, will be the final one.   I suspect I have already written what needs to be a final chapter but have then run on past it:  something more mildly dramatic was needed to underline it, and in my early morning hour's pondering I think I've found it.

Now I have to write it (that's the relatively easy bit;  the first sentence of the chapter is already in my head) and then re-jig the other chapters so as to take place before not after - a little tricky, but far from impossible.

To work.

Tuesday, 12 June 2012

Damage limitation - in print and now in ebook too

 Although Lulu's instructions for creating an ebook sound daunting they are really not that hard to follow - although I do struggle (and give up) with getting the title page to look as I want it too.

http://www.lulu.com/content/e-book/damage-limitation/12958799]

Tuesday, 5 June 2012

Newly published on Lulu

                        
Books 1 and 2 now combined, book 3 slightly revised, book 4 not previously published

Hopefully I'll learn how to do ebooks in the not-too-distant future

Sunday, 20 May 2012

Damage limitation - available soon

Written in between about March and August last year as a followup to my NaNoWriMo2010 novel (and the fourth in the series) I published this last September privately on Blurb and have spent the intervening months re-reading and correcting the all too many errors.

As soon as I receive my first-ordered book from Lulu and satisfy myself as to quality, I shall make this public - now a 6" x 9" version because that is cheaper than 5" x 8" used for earlier books in the series.   And hopefully available as an e-book too.

This cover was designed using their one-piece designer - daunting to start but more satisfying and flexible for type placement than the 'advanced' version - I very likely will re-do the cover for Not wanted on voyage before re-issuing.

Sunday, 6 May 2012

Progress report - week 18

Readying my report for Write 1 Sub 1 - and aware that in not actively seeking nor being paid for anything I write I consider myself something of a dilettante - it seemed not a bad idea to note where I am so far with current projects:
'Damage limitation' (113k words/396 pages)  - the fourth in the story of Bridie Burdock and Sean Donovan, is ready to re-publish, having been copiously read, re-read and corrected since last July.
'Not wanted on voyage' (128K words/378 pages) - I am trying to publish as to-be-proofed.
'Making Good' - a follow up to 'Damage limitation', currently 38K but I need the characters to begin talking to me again.
'The longest shadows' - currently the preferred title for what is at the moment filed under 'Susannah Elphinstone', a story spurred into being at the beginning of February by one of Lisa Ricard Claro's Book Blurb Friday photographs, further inspired by the discovery of a photograph of a house from my own past and happily progressing - wordcount currently 31K.
It's also pleasing to note that I am trying harder with this latest one to both think a bit more about the plot in advance and include a little more description.
Finally, as I stated in my previous post,  'The blacksmith's wife'  looks set to continue beyond May 11th and currently stands at 1300 words.

Sunday, 31 October 2010

NaNoWriMo Eve

Currently, probably over-prepared.
That’s what I usually do.
So that inspiration is beaten flat and lifeless – a pancake, a poppadom and not the plump chocolate-coated profiterole that promised so much a fortnight ago.
Bridie and Sean – mere cardboard cut outs, arms folded, gazing in opposite directions. Dumb, dialogue-less and incommunicado.
Fingers crossed, sooner or later, they'll get their act together ... they need to do a LOT of talking to get through 50,000 words.

Saturday, 30 October 2010

NaNoWriMo - Title and cover

OK since I can't get started on the writing I've been playing around with a cover image


 and come up with a (probable) title:  (quick fanfare!)   Holding steady

Friday, 22 October 2010

Conversation on the summit of a hill - dialogue only

“Sean ... it’s just occurred to  me .. you’re not married are you?”

“Married?   Do you think I’d be behaving like this with you if I was?    

“No .. I suppose not ...”

“Didn’t your mother ever tell you I would’ve married you?”

What?  My mother?   Marry me?  ... no, she’s never mentioned it, never  ... when? ... why didn’t I know about it?”  

“It was that morning I came to your house, just after the funeral, I was waiting along the road, hoping to see you, needing to know how things were between us and she came along and stopped and spoke to me.   I thought she was going to have a go at me, thought you’d’ve told her how I treated you .. but no, she said what a state you’d been in, crying in your room all the time, and that nothing she said made any difference, then said that seeing me would help get you out of it, because talking hadn’t helped ... I was totally knocked out at what she was hinting, couldn’t believe it at first ... but then she asked about taking precautions ... and I said no, I couldn’t do that ... so she said in that case it had to stop, she didn’t want you a mother at sixteen when you were too young to know what you were letting yourself in for.   And she was really fierce about that – if I’d tried to argue I’m sure she’d’ve stopped me coming to see you at all, and I was that desperate ... And although I knew it was far too early to suggest it, I wanted her to know I was serious so I told her I would marry you, but she said I was not to say anything at all to you about that.   And then she said “you’d better go and see her now to break it to her it’s got to stop” and said no-one else was at home, so I think she knew what would happen ...”

“And I made it so hard for you ... was such a selfish cow and couldn’t see reason ... oh god Sean, will I never finish being sorry for the way I behaved then?   But ‘serious’?, serious about me, enough to think of marrying me? ... I didn’t know, don’t think I ever thought that far ahead ...”

“There were times during those weeks when I didn’t believe you used your brain to think with at all.   I’d thought she would’ve told you later, but with you going on to university ... you’d’ve missed all that if we’d married, I suppose she didn’t want you finishing up with someone uneducated ...”

No! – she’d never have taken that view, after all, Dad wasn’t ‘educated’ - my natural father was, but apart from his education he was not a lot of use to her, so she’d never say that ... but even so, I’d’ve liked to have been told ... liked to’ve been asked.”

“You would’ve said ‘yes’ like a shot wouldn’t you?  If it meant I could have you every day?   But if you had, we’d never be sitting here now – you’d not be looking so lovely and fresh, and I’d not be enjoying having a bit of money behind me, and the freedom to take a few days off work to climb a hill with you – we’d be struggling to make ends meet with four or five kids, in some rented place somewhere – and that’s why your mum was so determined I didn’t mention it to you then.   And I think she was right to do so, even though I knew you wouldn’t agree at the time.”

“So you were happy to just walk away? ... just to leave me without you? ... me not knowing that you cared that much?   Do you know how close I came to following Sophy’s example and throwing myself in the river – I  tried for months to get over you, thought I’d never manage to lead a life without you, it just got worse and worse because I thought you couldn’t possibly care if you were going with Caroline so soon after ...”  

Only because you had Johnny ... she’d made the first move and I was using her to try and get over you ... I saw that Johnny had taken my place, that he was taking care of you – I was glad for you that he was, but I was going through hell, and of course I wasn’t happy but ...”

“But I didn’t have Johnny ... Johnny didn’t  have me, because I couldn’t forget you ... not that he ...  Look – Johnny’s my family, my cousin, my friend ... I love Johnny, he loves me, he takes care of me, I’d never have managed without him those first few weeks ... BUT ... but there is not, there hasn’t been, not since you, there never has been that extra ... that need for him that I feel for you.” 

“So we’ve got lust going for us ... is that enough? do you think that’s enough? enough to build a marriage on?”  

“ ‘Enough to build a marriage on’?  Is that a proposal?   No, don’t make that a proposal ... I’d say lust on its own isn’t enough, probably, but we don’t just have lust, there’s a lot more between us ... I know there is ...”  

“Such as?”  

“Such as honesty, such as respect – we always could talk to each other, I always trusted you, was always comfortable with you, but yesterday, coming to you after so long, I see just how ... how honourable a person you are, how strong and solid ... and trustworthy.   Believe you me, there aren’t that many people around as solid as you ...  and I think you must care for me to have taken the trouble to make me see what you made me see yesterday ... that you won’t be fucked around with ...”

Don’t use that language – it’s ugly in a woman,“

“ ... you won’t be messed around with ... and you cared enough to forgive me for ... for going with Johnny first ...  I don’t think it’s just lust you feel for me ... any more than it’s just lust I feel ... Oh Christ, Sean, I can’t help it but I still love you as much as I ever did, all those years of trying to get over you, they haven’t worked, since yesterday, as soon as I saw you, it’s just as bad as it always was.”

“Just as bad?   Why bad, Bridie?”  

“Because ... because if I’ve got it wrong about you caring I’m going to have to learn all over again to do without you and I don’t think I can do it ...”

“Bridie, my darling, you don’t have to ... I do care, I want nothing more than to stay together ... but you must have plans already, a future already in place, surely?”

“Nothing I wouldn’t change ... “ 

“That’s what I’m afraid of  - you changing to be with me, and then finding it was a mistake, and being unhappy.   You have no more idea of my life now than I know of what you intend to be doing ...”

“Then tell me, show me what your life is ... don’t you understand – I don’t care so long as I’m with you ... so long as you ... want me ... you don’t even have to marry me if you don’t want ... just ...”

“Of course I’ll marry you, of course I want to marry you ...”

“Then why don’t you ask me?  Me instead of my bloody mother?”

“Christ, Bridie – you haven’t grown up at all have you? – you sound just like you did when you were sixteen – the only difference is that then you were demanding that I shagged you and now you’re demanding that I marry you!   You’re still wanting, wanting and unwilling to wait or to see sense ... but you’re going to have to learn to wait because I’ll ask you to marry me when I’m ready to, when I’m sure that our marriage will not fail, and not before.”

Monday, 11 October 2010

Another book

Yesterday I began reading David Lodge's 'Souls and Bodies' - an account of the lives and the impact of Catholicism on a group of people who were undergraduates in the mid 1950s.   This was recommended by Michael Brown in response to my request for help on 6S and is proving a fascinating - and extremely useful - read, reminding me of so much about life in Britain at that time, as well as enabling me to get a better idea of how Sean & Bridie might tackle the question of a Catholic marriage.

Re-reading Toby Hecht's blog 'Collaboration' on editorial interventions, and from thence considering acknowledgements, it crossed my mind that among those I list in my eventual novel (ha ha!) perhaps MDJB should be one - but really that seems not to be the point at all.   Are people whose list of those they feel obliged to thank for help runs to half a page or more (sometimes a LOT more) confusing perhaps the (maybe sycophantic for a purpose) acknowledgements necessary for a dissertation, where exam success rests upon a good mark, with the more grown up and individual production of a novel, or are they wishing to share the blame should it be a failure?

Wednesday, 6 October 2010

NaNoWriMo - less than a month away

Fellow writers on 6S and T10 will know that I've signed up for National Novel Writing Month - there are eight of us altogether on 6S and I have been using the T10 prompts to experiment with plot lines.   I am, of course, continuing with the Bridie and Sean saga which began way back in April in response to a challenge from Absolutely*Kate, in which Bridie - as Bridget - made her first appearance, at the age of three months, along with her mother Jenna, and Eddie Burdock.   Originally entitled 'Not Sexy - the One that got away' since it wasn't my original submission for the challenge but something of a gathering, a rehashing, of left-over sentences, it eventually dropped the 'Not Sexy' and became a sixteen episode 'One that got away'.

In June, Bridie reappeared in 'Theme for a Summer' now age fifteen.   Sean quickly - and literally - 'made contact' with her and almost as quickly earned the wrath of Eddie - now married to Jenna and considered by Bridie to be the only father she has ever had.   This saga, which took place in the summer of 1961 and contained a host (too many) of other characters, ran to some thirty or so six sentence posts and came to an end with me expecting her and her cousin Johnny to Live Happily Ever After.

Sean and Bridie had other ideas however, and thanks to Christy, Sean's brother, the pair got together again in 'Reunion' and eventually, after fifty-eight episodes, agreed to marry.

My November novel, as yet untitled, will hopefully continue the story, but it is alarming to realise that all the foregoing - some three or four months of writing - comprises less than 40,000 words and I have to achieve at least 50,000 to qualify.   First thoughts are that plenty of plot, plenty of description - lacking in my 6S pieces - and plenty of back story will be required, along with the reintroduction of several characters from 'Theme'.

Three weeks and four days to go - I have a 'Timeline' drafted and lots of conversations going on in my head ... fingers crossed I'll remember them all when November 1st arrives - and be able to decipher all my scribbled notes.