Friday, 21 September 2012

Heading from Kirkwall (St. Magnus cathedral just visible) to Westray - just before the hail-storm which (luckly) was the only weather which fell on us during the trip - but it was bloody cold!

While there I made some note which were turned into a Six Sentences post:
Westray wildlife reactions to a backfiring B33

On the Earl Sigurd it apparently requires half a dozen orange boiler-suited crewmen to make the bike secure - two straps and two chocks - for the ninety minute inter-island crossing from Kirkwall to Rapness;  not rough but had we stayed outside the hail would have been painful.
Westray – population six hundred – typical Orcadian landscape; gently undulating skyline, rough-squared in yellow and green, smudged clouds around the edges of a gigantic sky from which showers fell all around but not once on us, all day.
Several long straights from ten-mile end to end, more dog-legs heading sideways to the farmsteads on the edges – it’s easy to assume the view must compensate for the hard work, but is that really so?
Morse code dotted woollen messages were strung along the wire at the edges of the fields and I wondered what they might say about our at times very noisy progress.   Wondered whether the lurching panic of the lapwings would have made the headlines, or did the fat kisses of the sixty or so sky-sweeping starlings make the louder claim?   Would the cattle, fudge-coloured and agitated, lumbering wild-eyed to their feet, have the wit to pass the word along, and was it really the black-stockinged sheep with dirty bums who had the final, censoring word?

Thursday, 6 September 2012

Prediction prompt : 'post', 'shield' and 'immoral'

A forge-like image created for 100 Orkney Days of Summer and this week's post on Phil Ambler's 'Friday Prediction'


The blacksmith's wife [part 34]

Gabriel’s ever-fluctuating sense of filiality returned him to accusative.
‘Your callous immorality shocks me,’ he complained, days after he’d willingly posted his limp and green-shit-leaking brother through the side-slats of the dead-dog cart while I shielded him by offering soup to its malodorous driver.
My own concerns were several:   I was with child to a man I’d wed most willingly but now wondered if I should have second thoughts; the Earl was like to demand both letters and retribution for my alleged releasing of Mathias, and now approaching with a needing-shod stallion was the speedwell-eyed youth I’d once lain with.

The blacksmith's wife [part 33]
Post his immoral interlude with the tavern-doxy, how would Gabriel now view my past philanderings?   Given that he’d also seen me taken by his brother, he surely couldn’t now complain?
The boy was beautiful, which was why I’d wanted him.  Finger to my lips I directed him to the meadow behind the forge, trusting that the meadowsweet would shield us.  
Led the horse to Gabriel, smiled sweet and said ‘No hurry.’
But I was mistook to think that all was fair, that because there was no danger of foisting onto Gabriel a bastard brat, he would not mind.
He did.

Friday, 31 August 2012

Season of more than mists!

Yes the windows are fogged with condensation, and now the heating - set at a lowly 65ÂșC - has come on.   And it's still August.

Friday, 24 August 2012

101 Fiction: Forge

A more polished first episode of 'The blacksmith's wife' has been accepted by John Xero for his 101 Fiction.   Little did I know when I began that I'd  be about to wrestle with 'ration', flatter' and 'squid' from which to wrench episode 32 this week ...

101 Fiction: Forge: by Sandra Davies Caged by guilt and shadowed bars of branding irons, breasts and belly besmirched by centuries of soot from the roof-supp...

Thursday, 23 August 2012

Halfway through, already


It was a surprise to learn that already fifty of the 100 days of summer have passed (although around fifteen were a bit of a cheat for me, using only pre-done inages).
Today I have a short account of my favourite so far (re-posted here), what I was hoping for from the exercise and how I think it's gone.

Monday, 13 August 2012

Hypochondria

The words for Phil Ambler's Friday Prediction this week are vaccine, ground and address and since vaccine wasn't invented until a century after the time of the blacksmith's wife, I had to abandon them this week.
Herewith my alternative:


Hypochondria

‘Vaccine?  Don’t be ridiculous!’
Contempt in every angle of her sprawled limbs, the flare of her nostrils and her lightly-raised eyebrows, the depth of her slutty depravity further exaggerated by the slatted shadows which striped both her and the screwed-up sheets.   Another half-hour and there’d be sufficient light to turn this chiaroscuro soft-ground etching to something more common-place.   For the moment he was both mesmerised and horrified as was apparent from the higher-than-usual pitch of his voice, addressing her from where he stood naked by the sink.
‘I’ve run cold water on it’ he said plaintively, ‘and it still stings.’

Friday, 10 August 2012

The blacksmith’s wife [part 29] - runner up for last week!

Written (I think) in Pueblo, or maybe Fort Collins, Colarado, this was declared a runner up by Phil Ambler over at his Prediction page today - thank you for that,  Phil! - but less so for next week's words which are vaccine, ground and address 

The blacksmith’s wife [part 29]
Fearing malevolence, and assuming I could thwart it, the earl insisted on my presence at the birth.
His lady gave no flicker of acknowledgement, too sharp-speared with labour pain, the like of which, before winter, would be mine to suffer too, but I trusted my son would not appear so goblin-like as this wizened little red-haired gnome, the image of its father.  
Having been three days away I hastened home, to find Gabriel speared between the goblin-gnarled, lard-flickered thighs of the tavern-keeper’s wife, but could not judge who screamed loudest from the bucketful of still-hot cinders I emptied over them.

Wednesday, 8 August 2012

>Language>Place blog carnival #17

Now live - and put together in Alaska - check it out for some wonderfully inspiring posts

Friday, 20 July 2012

101 Fiction: Traditional

101 Fiction: Traditional: by Sandra Davies Rise before May dawn, middle of meadow, wash face in dew. Surrender all common sense:  next man met so stunned by my b...

Sunday, 15 July 2012

Not idle

Just because I've not been posting here much does not mean I've discovered the joys of housework ...

As well as daily pieces on Thinking Ten - some of which are episodes of  'Just cause' which has reached 10,000 words - and weekly episodes of 'The blacksmith's wife' (2,500+ words) - I have sent my final, fifty-first, piece off to MuDSpots (I think I've only missed one prompt in the year) and am just embarked on a daily post for 100 days of summer.   This is imagery rather than writing, based on Orkney, and I am using the opportunity to revisit both photography and art work and ally it to the poetry of George Mackay Brown, long a favourite of mine but recently neglected.

'Not wanted on Voyage' is currently on the back boiler, awaiting a major re-write - I'm deliberately 'resting' it so as to come to it afresh and have several ideas to move it forward - and the as yet untitled follow-up (filed as 'Susannah') stands at  49,000.

What I am working on, and have been since the last week of June, is 'Moving on', the follow up to 'Damage limitation'.   I've added some 18,000 words and have ideas for more.   Still only halfway at 56,000 words.

What I am not likely to be doing this year is NaNoWriMo - I really do not want to start another novel!

Oh - and I am off to Kansas in just over a week for a third gathering of folk from Six Sentences.

Wednesday, 11 July 2012

Inspiration



For me, in a word, Orkney.

Initially, and ever after always, for its horizons - a sufficiency of which are sea edged - and for the ever-varying sky above the smooth-edged hills




History too, stone and hoarded, driftwood wood, mysterious and eminently practical - and totally unignorable.

These abandoned creel stones gave rise to three years' work, as did the standing stones at Brodgar, allied to the poetry of George Mackay Brown.





John W. Hedges wrote about the ancient family folk who'd once inhabited Isbister.

He, and the place itself, inspired me to write 'Edge' and illustrate it with work sprung from other Orcadian sources.

This image combines plate and print and photograph, to suggest standing stones and sea and unfathomable horizon.







And this print, one of a series exploring inner stone age cells of Skara Brae, Gurness and Rendall, references the inner chambers of Maeshowe, one of Orkney's many Neolithic tombs.

Maeshowe's walls are overlaid with Viking graffiti, here I've used dying sea-pinks from the windowsill of a Stromness cottage, where we'll be again come September.

This has been accepted for Language>Place Blog Carnival #17 whose topic is Inspiration.  Other posts can be read via this link

Friday, 6 July 2012

What is an editor for?


By which I mean what are their core responsibilities?
I ask because I assumed that ensuring correct use of English (inconsistencies of spelling and matching tenses for example) was a given.
And although I would hesitate to claim that they ‘ought’ to impose a minimum level of ‘good’ writing – for example, by suggesting that sentences flow smoothly or that switching to third from first person and back again in a single paragraph was eradicated – I can see that some might be reluctant to impose (put the work in??)
For a novel I would hope that a nod towards veracity was deemed essential, along with an ironing out of any jerky illogicalities which confound the plot, even if only to uphold their own status in supporting the premise that writer is one worth promoting.
So when I read a book by a writer who highly praises her editor and has seven published books (and a contract for more) and I find it barely readable because of what I deem is its poor writing, is that because I’m picky, or that the editor has failed to do her job?
And further undermining my certainty are the tributes from two non-red top newspapers, and the fact that a friend and librarian said that the writer ‘wasn’t bad’, that she had two of her and had looked to buy a third - even given that reading is subjective, surely there’s a bottom line beyond which one would suppose any competent editor would not sink?

Thursday, 5 July 2012

The blacksmith’s wife [part 24]

‘Bewitching?  Is that something you can do?’
‘If necessary, aye, but it’s a skill I rarely use … my mother said it’d more likely end in death than in a pension, given Hopkin's witch-burnings in Bury.’
‘And did you use such tricks on me?’
‘Nay,’ I smiled. ‘T’was never needed, the honey of my body was sufficient tacky for you to stay adhered …’
‘As it was for others, among whom was my brother.   Despite all, I cannot forget he shares my blood …’
‘And lets it too!’
‘Enough.   Time to re-build and ensure you’re kept from vengeful harm.’ 
[Despite the difficult words this week, this one sprung into being almost unaided, except for the need to check facts about witch-burning in Bury St. Edmunds, which took place in 1645, when 120 women were brought to trial]

Monday, 2 July 2012

Memories, one step on

I remember sitting on my Grandad’s lap watching my two-years-younger brother take his first steps, backlit at the end of the hall by the light from the small window beside the front door.
So small an area, that hall, so strongly influential, so readily recollected, it was papered halfway up with bumpy brown and shiny anaglypta.
Above was cream and hung with English hunting prints,  the startling scarlet of their coats buried deep in my subconscious, arc-ing resonance when, half a century later, I discovered in Oxford’s Ashmolean museum Uccello’s ‘Hunt at Night’  
Although the truly horrid under-stairs pale blue china bunny is now gone, a bought-for-sentimental-reason, small brown version lives in a cupboard in my bedroom and will not allow itself to be discarded
The circular barometer, mystic numbers and gold shiny arrow-headed needle a source of fascination, and tapped daily by my Grandad, now hangs in my sitting room:  I still seek understanding.
And just this year, the long-forgotten hallstand, near-black wood, brass hooks and small square mirror, green lily-patterned tiles and tin tray for umbrellas, reappeared in the entrance hall of Luke Darbyshere (my fictional detective)’s flat.

This was a resppnse to a challenge set by Bill Lapham on Six Sentences:  having asked for six sentences beginning 'I remember' we were to select just one and write five more from that, using our imagination.   This didn't quite stick to the rules but is an illustration of how such 'I remember' moments are re-used  in our writings.

Sunday, 1 July 2012

The blacksmiths wife [part 23]

Despite three  truly difficult words thrown up by Phil Ambler's book - tacky, pension and bewitch -  I managed to continue this serial:


‘For all he’s a one-legged, pensioned-off foot-soldier, the Constable knew what best to do, organised a line of buckets to the pump.   It’s better than it looks.’
Gabriel had been relieved to see me, I at his survival.   Brick fireplace and chimney were undamaged, the rest a blackened lath-and-plaster-tacky, straw-strewn mess.
‘Your tools?’
‘Mostly salvaged.’
‘Mathias?’
‘Taken.   This’ (he gestured) ‘revenge for what they saw as sanctuary.’
‘They?’
‘Impossible to know.   The message?’
‘Not delivered.’
‘Then his life is forfeit.’
‘As mine when, finding letters missing, they return for me.’
‘He’ll likely claim bewitchment.’
‘Then I must make it so.’

Tuesday, 26 June 2012

The blacksmith’s wife [part 22]

What if Gabriel’s consanguineous concern was counterfeit, a facet of his love for me, callous-skewed for my protection?   I’d swear his anguish genuine. 
Did he believe killing his brother would jeopardise his own immortal soul?  
Or was it Mathias who yet pulled the strings?
At whose instigation had I set forth?   How urgent this message?
Did Gabriel mean to prevent me witnessing his revenge?   Or was  his perfidious sibling plotting murder prior to my pursuit?
Suspicion’s wings dispersed my fury – I turned back, electing to save Gabriel rather than the country from invasion.
And arrived to find the forge ablaze.

This week's continuation - 100 words incorporating 'wing', 'immortal' and 'facet' - of the tale which can be read in its entirety on the page above

Monday, 25 June 2012

Small daily translations


 


After a day of wondering

The faintly-heard whispering, rasping vibrations
I've been blaming on aliens or neighbours
is realised to be wasps under the eaves


 


      
 Returning from the gym

Sun catching ivy on tree trunks 
turns it to chain-mail
them into well-armoured sentries
flanking a naked brown spy





Small fantasy
 
Delinquent
and supplanted
fence-posts
enter into a conspiracy
against the fine
upstanding
one.


At breakfast, with the crossword

Momentary alarm
before remembering
that microwaved apricots
smell like charred wood
and again for 'macaque'
before remembering
the word is 'maquette'


This is my entry for Steve Wing's thoughtfully-edited Language:Place Carnival #16, the theme of which is 'Translation', the menu for which can be accessed by clicking the link.

Tuesday, 19 June 2012

The blacksmith’s wife

Parts 20 and 21 - 100 words using 'supervise', 'cash' and 'mare' - at the The Blacksmith's wife page above

Saturday, 16 June 2012

Thursday, 14 June 2012

The art of cover appeal - a self indulgent poll

The book is written and I'm awaiting feedback before publishing.   I've been designing covers again (and this beats housework any day ...)
To make it less self-indulgent I'm turning it onto a poll.
At a glance, which one would you'd reach for if you saw
it on a shelf, wanting to know if it was something you might
like to read?

would it be (l-r) 
a) splurge of larks
b) boat ribs
c) boat of celebration
d) apples and serpents
e) none of these

Tuesday, 12 June 2012

Spoke too soon - again! - and again: success!

OK, I thought it was all going easy enough - third time not so lucky as I upload for the umpteenth time to find (ditto) that paragaph indents have not shown up in chapters one and two of Theme for a summer/Reunion(but are OK everywhere else)
And yes I've done all the usual things (Notepad/re-insert/apply stlye)and am now about to try yet something else, ponderd on while at the gym.
Grrr ... seems ages since I did any actual writing

Rich Text Format - that was the answer - and now availble at http://www.lulu.com/content/e-book/theme-for-a-summer-and-reunion/12959023

Damage limitation - in print and now in ebook too

 Although Lulu's instructions for creating an ebook sound daunting they are really not that hard to follow - although I do struggle (and give up) with getting the title page to look as I want it too.

http://www.lulu.com/content/e-book/damage-limitation/12958799]

Friday, 8 June 2012

Friday Predictions / The blacksmith's wife / winner!

A big thank you to Phil Ambler who had adjudged my episode 17 of The blacksmith's wife as last week's winner.   The words to incorporate were averse, ink and trunk and were used as follows:

I’d extricated sovereigns and well-hid papers, ink damp-smudged, before Gabriel returned home with his brother, his arms and trunk blood-bruised from more than falling off a horse. Face less pretty too.
Unaverse to slander, he’d implied I’d satisfied until Gabriel threatened branding. He confined him tight-bound in the cellar, asking only ‘Did he lie?’ before we finally slept.
To be hauled awake too soon to harsh-grained hands at throat and thigh and Gabriel’s eyes near-blind with blood, stifled roaring from behind the cloth which gagged him.
But not so blind he did not see what his brother did to me.

This week's words - labyrinth, twin and churn -  have already been incorporated into part 18 which is on the Friday Prediction page

Tuesday, 5 June 2012

Newly published on Lulu

                        
Books 1 and 2 now combined, book 3 slightly revised, book 4 not previously published

Hopefully I'll learn how to do ebooks in the not-too-distant future

Monday, 4 June 2012

Just because

And if any man knows of any just cause or impediment let him speak now or else hereafter forever hold his peace.’
    Then ensued perhaps the most self-conscious of all silences, beating that at a football stadium for a just-deceased, long-forgotten footballer, or at a Remembrance Service where more than eighty per cent  of those present had not personally known anyone killed, had, for the most part, not seen even as much as a sepia-tinted photograph depicting achingly young features under a precariously-perched cap.
    But this time the silence was short-lived and quickly broken.  Broken firstly by movement at the back of the church, which only a few had the nerve to turn their heads to investigate.  Broken secondly by a languid voice, not loud (it did not need to be) but clear, which spoke into the silence. 
   ‘I do.'
   A voice which, judging by the gasp of the stoutly silk-wrapped woman sitting in the front pew to the left of the bride (the vivid cerise a serious mistake which she already regretted) was known to her, and unwelcome.
   A less perfect silence as the man stood, stepped out of the pew, bent to lay down his hymn book and then proceeded to walk up the aisle, as leisurely as if he was strolling along some greensward on his way to the Royal Enclosure at Ascot. 
   By now the bride and groom had turned to look, confusion on their faces, hands clasped, which he noted with regret.   So they were genuinely fond of each other.   Those guests stood at the end of each pew were debating the etiquette of photography under the circumstances.   Those second in, part hidden, had no such qualms and an almost confetti shower of flashes followed the man down the aisle.   By the time he was within ten yards of the altar those at the front had set aside manners, etiquette  and any sense of decency and were making sure to capture on their mobile phones his near-expressionless but well-structured face.
   The vicar, regrettably, was trying to contain his excitement.   He had conducted some seven hundred weddings, all bland, all blank.   This one he would remember.   Enquiringly he looked at the man now stood at the left shoulder of the bride who had, with the groom, turned back to face the front again.
   ‘An impediment …?   You know of a just cause …?’
   The man nodded gravely and this time there was no doubt he was deliberately mocking ‘I do.’
   ‘Then perhaps … ‘ The vicar looked round.   Lack of need had cause him to forget the required procedure.   Was it usual to state it at the altar or should he take them into the vestry … but before he could decide the man straightened slightly and slightly more loudly said ‘The groom is my son.   The bride my daughter.’
   As gasps winnowed through the church, like a breeze across a cornfield he then turned his head and looked at the cerise-clad woman.   ‘As for you, you brainless, selfish cow … did you not think to tell them?'

This is my response to a challenge on Thinking Ten:

Sunday, 3 June 2012

'The Making of Her' by Susie Nott-Bower

TMOH COVERThis I urge you to buy - truly un-putdownable, a wonderfully original and absorbing story, beautifully-written, humane and brought me to tears several times.  Available direct from independent publishers Linen Press Books.
http://www.linenpressbooks.com/shop/the-making-of-her/

Set in the pressure-cooker world of television, The Making of Her is a blackly funny retort to a society which values youth over age and appearance over experience.
The Making of Her is the makeover programme that Clara never wanted to produce, featuring the one person she never would have chosen.  Add to the mix an errant husband, a barefoot counsellor and a reclusive rock star and change is inevitable.  Will transformation come from the inside out, or from the outside in?
And will The Making of Her prove to be the making of them all?

Saturday, 2 June 2012

The blacksmith’s wife

Now up to episode seventeen on the Friday prediction / Blacksmith's wife page above.

This week's words were ink, averse and trunk - check out Phil Ambler's site to see what a dozen or so other Predictioneers make of them between now and 9 p.m. next Thursday.