Sunday, 6 October 2013

Everything come to she who waits ...

Not that I think, or am claiming, that it is a good way to progress a novel.

But, yes.  I've not been just waiting on this.  Thought I'd got the answer, more or less.  One of two answers anyway.  As I've said before, 'Susannah Elphinstone' began with a blurb challenge, utilising the name of the heroine from an in-progress novel. (Not Susannah:  Madigan.)  It sat for  while, then the premise suggested a story, characters began talking to each other, as they are wont to do, and the book began to take shape, my only input the decision to make it a thriller with a far smaller cast than I'd used before.

Progress was made by conversations:  Madigan with Baz, Baz with Luke, Luke with Madigan.  Ed became involved.  Then the action moved to where Susannah lived.   I remembered that it was a thriller I was supposed to be writing.  Someone had to die.  Actually, someone had died at the beginning, that was left over from the earlier book.  But I needed someone else.

Fifteen to twenty thousand words in I decided who that someone would be.  Next thing, of course, who did it?

Yes indeed.  Who did do it?  For focus' sake it had to be one of two, from up to seven possibilities.  I had to work out how, had to factor in red herrings and misinformation.  Input reasons, methods, timetable, confusion.  I eventually found myself continually see-sawing between two individuals, unable to satisfactorily plump for one over the other.  Unable to justify or even convince myself how.  Quite important that:  if I wasn't convinced I sure as hell would not be able to convince any reader.  Oh, and I also needed to inject pace, and manage a final, surprising, last-minute, totally unforeseeable twist to the tale.

Yesterday, completely out of the blue, the answer came to me.  Of course.  It wasn't either of them, that was why I'd been struggling;  it was someone I'd barely noticed, someone who'd been sending out his own misinformation.  And when I started looking I could see exactly how he'd done it, what lies he'd told, how he'd fooled all of them.  And me too.

So now all I have to do is write it down.   In the correct order.  Remembering that there are things which need not be said until the end.  Gosh.

6 comments:

  1. Sandra, fascinating post. It just goes to show how characters, especially the devious ones we create, can and do, after a while, manipulate the author into a false sense of reason. And o'er! hope it wasn't my namesake. With all that intrigue it sounds like the kind of novel I would read.

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  2. No, not your namesake Baz! Taken (if from anywhere) from someone I knew in primary school, Baz Rose has been around for a few years. When it's nearer done (almost certainly after January's Self Edit course, I might just ask you to beta read it!

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  3. I'd be honoured, Sandra, good luck with it. x

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  4. I know what you mean. There is a paranormal mystery in my YA WIP and until I wrote the last 20,000 words I didn't know 'who done it' either! It was great but a little spooky too. Enjoyed this post. Keep 'em coming :)

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  5. Hmm... I can relate to this. I'd probably written 50,000 words of my YA WIP before I had any idea where it ought to be heading... I cannot for the life of me work out what I was thinking when I started it all those years ago... As usual, it was probably because I had a first line that just kept whizzing around in my head... Very interesting blog, Sandra. Made me think. Stevie Mark. x

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  6. Interesting - I don't think I've had this kind of revelation before - must be fun when it happens and everything 'clicks'. Glad you've sussed it!

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